I, Frankenstein (2014)
Why wouldn’t Frankenstein’s monster (henceforth referred to as Adam) be the focal point in a war between heaven and hell? And why wouldn’t the angels really be gargoyles and live in cathedrals? And why wouldn’t the demons be trying to get their demony hands on Dr. F’s book on reviving the dead? And why wouldn’t we jump ahead 200 years to modern-day, where “Adam” should be a rotted corpse? Transparently an attempt to replicate the surprisingly enduring Underworld franchise, this secret supernatural war is a lame monster movie disguised as a lamer superhero film. It’s also absurdly idiotic in just about every capacity, as if no department had any communication with one another. Aaron Eckhart grumbles and trudges his way through this awful mess but you can feel his disdain for the entire enterprise. It’s not even deliciously campy, choosing to try and re-envision the classic monster in a modern and realistic setting. The action sequences are mundane when they’re not incoherent. I, Frankenstein feels like a movie version based upon the video game of some other source material. It’s loud and inept and campy but mostly outrageously dumb. I can’t wait to watch someone else in Hollywood recycle this cheap plot setup for a desperate supernatural franchise (“Okay, the Creature from the Black Lagoon finds itself in the center of a war between centaurs and…”). When people talk about the dregs of Hollywood, and the echo chamber of stripping away creativity, let I, Frankenstein be a prime example of the worst of us.
Nate’s Grade: D