The appeal and drawback of con artist films is that you know you’re being conned. You want to be fooled, but at the same time you’re conditioned to never take anything you see at face value, to be waiting for the turns and reveals and twists, and because of this fact it is rare for a con artist film to deserve more than one viewing. Focus fits this description. Will Smith is a smooth con artist who takes Margot Robbie (The Wolf of Wall Street) as his apprentice, but then he dumps her just as their feelings for one another get too real. It’s a shame then that the film peaks during its first act, when Smith and Robbie are first working together to shake down a gloriously irresponsible gambler played by B.D. Wong. The two lovebirds meet again in Argentina as they’re both circling the same rich mark. It’s fun to watch them mess around with one another and spar, and Robbie really shines, but the plot is just too formulaic to be anything more substantial. It’s fun and entertaining in spots, but the end is a cascade of twists that further muddle and complicate an already convoluted con caper involving secret race car fuel. The problem is you’re never engaged enough to forget you’re watching a con, and so you’re always suspecting every angle and doubting every character, which Focus eventually does confirm your suspicions. It’s nice to watch Smith transition into a less flashy role, though his effortless charisma still shines. It’s the kind of role he should be taking more often. You won’t have a bad time watching Focus but you won’t remember much in the morning.
Nate’s Grade: B-