Titane (2021)

What’s the point of a weird, gonzo movie when it stops being weird? That’s my takeaway from French director Julia Docournau’s (Raw) Palme D’Or winning oddity, a movie that has been nicknamed, “That film where the lady gets impregnated by a car.” That does inexplicably happen, and I was waiting for more bizarre interludes, but then Titane becomes a completely different movie. The first half hour involves the car copulation and then becomes a slasher movie, as it’s revealed our heroine has been killing locals for months. We watch her kill her friend, on a whim, and then her roommate walks downstairs, a witness needing killing, and then another and another, and this for me was the darkly comic high-point of the film. From there she goes on the run, poses as a man’s missing adult son, and the movie becomes entirely about hiding her real identity, whether this grieving father fully suspects or even cares, and learning the ropes of fire department protocol. To say the second half of the movie is a creative letdown is an understatement. Titane feels like Docournau was combining different stray story elements from half-finished scripts and trying to, through sheer force of will, cram them together. The car fetish is never quite explained, which is fine, but once she’s impregnated, the movie becomes more of a standard drama about hiding her burgeoning pregnant belly to keep her cover. It seems quite strange for me to say that a movie about a woman impregnated by a car isn’t strange enough, and yet there it is. Titane will appeal to fans of David Cronenberg’s body horror and the French noveau horror scene, but I found its exploitation excess to be short-lived, and the creativity on display felt more stuck in neutral than as advertised.

Nate’s Grade: C

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on December 27, 2021, in 2021 Movies and tagged , , , , . Bookmark the permalink. Leave a comment.

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: