Daily Archives: March 5, 2021
Disney’s new animated feature, Raya and the Last Dragon, is coming at an opportune time and in some ways it’s a movie of the moment. It’s all about a divided nation learning to heal and learning to trust one another despite bitter disputes. I can only hope the ensuring months and years of political dispute in this country can end as fortunately as Disney’s fantasy fable.
We follow Raya (voiced by Kelly Marie Tran) as she embarks on a quest to save her people and the divided lands of Kumandra from a mythical evil that has returned to the land. Dragons gave their lives to fight this monstrous force known as the Druun that turns life into stone. The world has been divided into separate nations surrounding a dragon-shaped body of water. There is Tail, Claw, Heart, Fang, and Spine, Raya ventures to uncover the last dragon, Sisu (Awkwafina), the dragon that originally thwarted the Druun, except Sisu says she’s not exactly the best at magic and dragon stuff. Together, Sisu and Raya are chased by Raya’s childhood nemesis Namaari (Gemma Chan), the next-in line with Fang, the nation blamed for the new outbreak of the Druun. Raya must find a broken piece of Sisu’s dragon stone from each nation to level up her powers and banish the Druun once and for all and return everyone who has turned to stone, including her father.
In many ways, Raya feels like Disney trying to do its own fantasy universe akin to the Last Airbender series. The world building is tantalizing and feels lived-in, the lands distinct and with personalities and different cultures, and those cultures are respective of their environments. I was pleased to continue with the movie and discover more well laid details that built out this world and its inhabitants, the relationships to the dragons, and the veneration of magic. The stone statues each represent a person succumbed to the evil, itself a byproduct of the inability of the splintered nations to unify and trust one another (more on theme later). I appreciated the respect and reverence given to the fallen and to the dragon statues as well. There’s a scene where Namaari and her crew are walking through a field of overgrown dragon statues and they treat it with such reverence like it was a war memorial. For Namaari personally and for Fang especially, the sacrifice of these creatures is one that humanity has been struggling to live up to. I also appreciated that the magic and lore is presented as we need it, so that the audience is overloaded early with an onslaught of new information needed to orient this make-believe world. The filmmakers do a fine job of building from previous established information and expanding naturally to complicate their world and the larger conflict. The plot through line is left pretty simple, collect the pieces of the magic rock, but because of the accessible formula it also builds anticipation we can attune to. It gets me to wonder what new power Sisu will inherit, how that new nation has dealt in the ensuing time with the power and influence of the magic shard, and what new fun character we’ll pick up along the way.
Raya is also an exciting edition to the Disney animated collection. I’ve watched the movie twice, and would watch again, but I really honed in on the action during my second viewing. The fight choreography is impressive and not simple standard kicks, punches, and sword slashes. There are specific moves and countermoves here, and the long takes with the action allow the audience to appreciate the complexity of the brawls as if we were watching The Raid. There were some moments that genuinely gave me goosebumps. I also appreciated that the action isn’t gratuitous; each scene has an emotional connection to a character and their conflict, even the many run-ins between Raya and Namaari trying to prove themselves against one another. This is also a movie where we are replete with strong female characters, diversity, and women in positions of power, and nobody makes a big deal out of it. It’s accepted as the norm and I think that’s smart. It’s nice to add another kick-ass Disney “princess” and for there to be not a single mention of romance throughout the movie. There are bigger issues and the ladies aren’t fighting over a boy’s attention but over their personal rivalry and anger. For a briskly paced 100-minute movie, Raya and the Last Dragon has enough action and awe to provide satisfying thrills for all ages.
Where Raya admirably succeeds is with its adherence and execution of theme. The characterization can be limited at times for anyone beyond our protagonist, but that doesn’t mean that the supporting players are without charm and resonance and importance. They contribute nicely, just in other ways. The screenplay does an excellent job of supporting the theme of trust and unity, a topic that is in short supply today in a turbulent time of social and political upheaval. The different clans of this fantasy land have resentment, animosity, and decades of score-settling to make it even harder to trust, especially anyone from the Fang nation, the people blamed for the current epidemic. It’s much easier to project anger on an outward force rather to blame than look at our own culpability, and it’s even harder to take that first step to repair the damage done from broken trust and manipulation. Still, the entire journey of Raya, both film and character, is on the importance of taking that step regardless of whether or not it works. Each character from a different nation represents another factor in dealing with grief, and each has reasons not to trust the others, to only think about themselves and their interests, to perpetuate a failing cycle.
The movie articulates the dangers of holding onto grudges and distrust with every moment, so when the climax happens it’s a small yet very meaningful payoff, where the characters don’t make grand final stands and showcase amazing powers against an overwhelming force. No, instead it’s about demonstrating faith in the possible goodness of another person and taking a leap. Sisu suggests offering a friendly gift to make amends and it becomes a running joke but it’s also indicative of her character and personal experiences, how she differs from the contemporary and more nihilistic world, and the larger theme. The movie mentions several points how empowering trust can be, to be valued and believed in, regardless of mistakes and misgivings, and Raya embodies this with every decision, meaning even the small moments and silly side characters have a larger purpose and contribution to the overall message of this tale.
There are some elements that hold Raya and the Last Dragon back from true greatness, joining the ranks of Disney’s recent epic 2010s run of Wreck-It Ralph, Zootopia, Moana, and yes, Frozen (sorry haters, it’s still great). As I said before, the supporting characters are kept more at the idea level than multi-dimensional. They each represent a facet of loss, but I would have liked a little more attention given to them to have more tiny character moments and maybe even some realized arcs. As it stands, they support Raya on her arc and they become subsumed by her arc, and it works, but there was an opportunity to deepen these cute supporting players into more meaningful members. There are some elements that feel like holdovers or clues about earlier drafts, little remnants of scrubbed storylines. Repeatedly Sisu will remind us what an excellent swimmer she is as her special dragon power and we witness this once to use in a minor escape. With the build-up given, you’d expect the movie would make more with this in a climactic manner.
Raya and the Last Dragon is a worthy and exciting entry into the Disney animated canon and presents a fantasy world of its own making with detail, ingenuity, and care, supporting a central theme with every primary creative decision, even if some of them hinder what could have expanded the film into an ever bigger and more diverse ensemble. As it is, it’s all about Raya, who is an engaging and compelling figure trying to prove herself and atone for her own guilt. Her rival is given consideration as well from the pressure she’s under to serve her people. However, this is the Raya show (her name is in the title after all) and that’s plenty for 100-plus minutes of entertainment. Raya and the Last Dragon is a good-to-great animated fantasy film and one I think could support further exploration. This could be the start of Disney’s own Airbender world if they wanted. The animation is fluid and colorful and gorgeous and the character designs are easy to distinguish without placing undue emphasis on exaggerated features to characterize this as a Chinese fable. The vocal acting is great, and by the end of the movie, as its theme comes full circle, I don’t mind admitting I was even tearing up a bit. It’s a well-designed and well-developed fantasy with a secure emotional foundation to build upon.
Nate’s Grade: B+