InAPPropriate Comedy (2013)
Vince Offer is best known as the successful pitchman for infomercial products like the Sham Wow and the Slap Chop. He’s less known as an amateur comedian. In 1999, he co-wrote and directed The Underground Comedy Movie, pooling all the favors he must have accrued with celebrities and struggling L.A. comics. You’d think after one resounding dud people would know better, but alas Offer and his friends have funded another sketch comedy movie, InAPPropriate Comedy. You see the title refers to the joke delivery system, namely Offer’s finger hitting apps on a tablet to start sketches. And if that inept setup doesn’t seem like a insightful indicator for the misery that is to follow, then allow me to confirm that InAPPropriate Comedy may be the least funny comedy I’ve ever seen.
I’m not saying that ALL people who find some measurable level of enjoyment from InAPPropriate Comedy are racist, homophobic, and sexist, but chances are, if you are all three things, you’ll probably enjoy the comedic abyss that is InAPPropriate Comedy. For the purposes of truly showcasing how comically bankrupt this enterprise is, overdosing on witless shock value and groan-worthy stereotypes, I will quickly dictate exactly what you get in this movie, sketch-wise. It’s really only about four reoccurring segments.
-Before the meat of the comedy begins we’re treated to the lamest, more obvious 127 Hours parody and the sight of tough-guy bikers riding around on bicycles. Does that mental image automatically make you laugh? If so, you’re in luck.
-A parody of Dirty Harry called “Flirty Harry” where Oscar-winner Adrien Brody is a cop who speaks in nothing but overblown gay-centric double entendres (GAY JOKE #1). Is that half-assed twist on the name worth an entire ongoing series? It’s like you took one of the parody names from MAD magazine and then just called it a day. The second time around, Flirty Harry stops a robber and we see him in pink pants. He’s wearing pink pants. How could that not be hysterical? (GAY JOKE #2) The third segment doesn’t want to waste any time, so now Flirty Harry is getting his nails done at an Asian salon. You better believe these women are portrayed as nattering, horrendous, screeching caricatures (GAY JOKE #3, RACIST JOKE #1, SEXIST JOKE #1). Then Harry shoots a guy in the ass (GAY JOKE #4). Adrien Brody, why?
-The next ongoing sketch is a parody of MTV’s Jackass, and this one, with about as much wit as you’d expect, is called Blackass. It’s about a group of obnoxious, ignorant, lazy, foul-mouthed, angry black males engaging in rude and offensive behavior. These segments may be the most offensive in the whole movie because it is wall-to-wall negative stereotypes; the joke is that black men are not to be trusted and will harass white people, especially white women. The first time we see Blackass it has our characters running from the police. One of them even has a giant boombox over his shoulder because people still do that, right? (RACIST JOKE #2). These guys dress and behave exactly like the harmful misrepresentation your elderly grandmother has about black people. The sad part is that the festering stereotype of the black male up to no good can have serious and tragic consequences, coloring people’s judgments and assumptions.
Stepping down from the soapbox, the first segment involves the Blackass crew falling into a vat of raw sewage. The second segment involves them playing joust in shopping carts with lances made to resemble giant black penises (RACIST JOKE #3). The third involves the Blackass crew as the world’s worst babysitters, threatening a white woman in the process (RACIST JOKE #4). You see black people are terrible fathers, so this movie would argue. They talk about welfare checks and carry around 40s of malt liquor. The fourth segment has one of the Blackass guys and his white girlfriend antagonizing another couple in a hot tub before having anal sex (RACIST JOKE #5, SEXIST JOKE #2). The fifth segment has one of the Blackass guys in an abortion clinic waiting room. He harasses a young couple and offers to abort their pregnancy for cheap with a coat hanger (RACIST JOKE #6). The last segment involves the gang trying to lure a mouse by putting cheese on one of their penises. While it’s the closest in conception to an actual Jackass stunt, it’s still unfunny and much of the humor seems to rest on the enormous size of African-American phalluses (RACIST JOKE #7). Crap, I forgot about another segment where the guys blindfold a dude and have him get run over by a rhino. I don’t even get this one.
-The longest and most painful of the reoccurring sketches is a parody of The Amazing Race dubbed The Amazing Racist. You might expect it to have something to do with the popular reality TV competition, perhaps people competing to see who is the bigger racist, racism across color, or even forcing two racists of different ethnicity to team up in competitions. Nope. It’s just co-writer Ari Shaffir and his unending improvisation. The first segment has him rant in front of the U.S.-Mexico border, and then he harangues a gas station owner and assumes any Hispanic present is an illegal alien (RACIST JOKE #8). The next involves him as an insulting driving instructor for Asian drivers (RACIST JOKE #9). The next involves him wandering a predominantly Jewish supermarket trying to gather signatures to apologize for killing Jesus (RACIST JOKE #10). The next segment involves Shaffir entreating black passerbyes on a beach to take a boat ride back to Africa (RACIST JOKE #11). Finally, Shaffir is abandoned in a Middle Eastern territory with armed Arabs. I guess it’s supposed to count as comeuppance but it sure doesn’t feel it. There’s a post-credit sequence where Shaffir is trying to lure Jews into a box to ship to Hitler from the future (RACIST JOKE #12). I later learned that the hidden camera aspect of Shaffir’s bits is another fallacy. The people onscreen are all actors, which makes The Amazing Racist even less amazing. It feels like Offer and Shaffir watched Borat and thought they could replicate what they saw.
-The only other repeating segment is a pair of film critics that specialize in reviewing pornography. The idea on itself actually has the most potential out of everything Offer throws onscreen. It’s got recognizable faces; Michelle Rodriguez and Rob Schneider are the critics. Their reviews, however, are just another excuse to make more racist and gay jokes. A porn they review is called “Sushi Mama” and it features two Asians engaging in over-the-top, badly dubbed sex (RACIST JOKE #13). Another porn they review is weirdly a parody of Swan Lake, with guys dancing around in tutus and eventually humping and ejaculating on a helpless victim (GAY JOKE #5).
There are two other sketches that have the luxury of not being repeat offenders, so to speak. Lord knows what Offer and company saw in the others. One involves Schneider as a sleazy therapist aroused by his client’s vigorous sexual history (SEXIST JOKE #3). Another is called “Things You’ll Never See” and purports that hot ladies would never date someone poor because all good-looking women care about is money (SEXIST JOKE #4). I haven’t even mentioned how all of these sketches are supposed to take place, literally, inside Lindsay Lohan’s vagina (SEXIST JOKE #5). It’s a nonsensical framing device. We zoom out in the end, meaning that Lohan has a treasure trove of unfunny sketches stuffed in her special place. She should probably consult an OBGYN.
And that’s it! That’s the movie, all 75 wretched, horrendous, soul-draining minutes. Did any of that, on the surface, seem funny to you, or, like most people with active senses of humor, did it seem overwhelmingly lazy and poorly thought out? The biggest problem with InAPPropriate Comedy is that it’s trying to be more inappropriate than funny. It’s confused shock value for actual humor. Having a troika of irresponsible black males playing into demoralizing stereotypes and fears isn’t comedy. Having a guy make fun of Asian drivers isn’t a sketch. Having a gay cop make forced double entendres isn’t a sketch. There’s no development here, no escalation, no twisting of the premise, no nothing. All Offer and his motley crew of comedic imbeciles do is take a one-joke premise and pummel it into submission, making the laborious sketches feel even longer. It just so happens that most of their one-joke ideas aren’t even ideas so much as mean slights against minorities, women, and gay people. There is no ironic distance to the joke telling; they are merely just being crushingly racist, sexist, and homophobic.
I am by no means a comedy prude. I love a terrific vulgar joke as much as the next guy. I think when comedy is concerned that nothing is off limits. You can make anything, no matter how horrific and offensive, funny under the right circumstances, but it takes work and able skill. The problem with Offer’s movie is that there is no consideration to context, setup, developments, let alone surprise. You’ll see every dreadful joke coming before it arrives. That’s because all this movie does is trade in pained, outdated stereotypes. The scenes themselves feel like improv jags that just go on endlessly, like Offer was trying to replicate the process of a Judd Apatow comedy. His faulty reasoning may have been if people just say enough offensive things long enough, then something has to arrive at funny. Comedy doesn’t work like that, and as a comedy writer I find it personally insulting. This is just rampant and pointless vulgarity without any parameters, no point of view, nothing to mask the fact that it’s just cheap shock value. What are the jokes here? Asians are bad drivers? Black men are reckless? Women are superficial? Do these sound like jokes or merely groundless insults? If you removed all the ostensibly offensive elements, there would be nothing to this movie whatsoever.
As a longtime detractor of the duo Friedberg and Seltzer, the men responsible for cinematic crimes against humanity like Epic Movie (my worst film of 2007) and Meet the Spartans (my worst film of 2008), I’m torn. Friedberg/Seltzer don’t so much create jokes as they do lame pop-culture references with built-in expiration dates (go on, try and watch one of their past movies and see if you recall everything). Whatever jokes they do foster are mostly broad slapstick, but it could be classified, no matter how charitably, as a joke. After watching Offer’s InAPPropriate Comedy, I may have second thoughts about the intensity of my screeds against Friedberg and Seltzer. Their movies are still terrible, still the cannibalistic, cinematic watery discharge I dubbed them, but Offer’s comedy may even be worse. There’s no way any of InAPPropriate Comedy could ever be funny. It’s so obvious and desperate that it confuses offense for smashing taboos. This is a black hole of funny, where funny cannot escape and instead gets smashed down to an atomic level. How could anyone making this find it even remotely funny? If I see a worse movie in 2013 than InAPPropriate Comedy, it will make me reevaluate the existence of a loving God.
Nate’s Grade: F
Posted on August 5, 2013, in 2013 Movies and tagged adrien brody, anthology, bad movies, F movies, indie, lindsay lohan, michelle rodriguez, sex comedy, vince offer. Bookmark the permalink. Leave a comment.