Daily Archives: November 16, 2012
Ignoring the ironic nature of the Breaking Dawn Part 2 poster taglines declaring love to be “forever,” the box-office juggernaut that is the Twilight franchise is coming to an end. Based upon Stephenie Meyer’s outrageously popular series of books, we’ve followed the love life of Bella Swan as she’s experimented with human, vampire, and werewolf. The studio heads decided to take Meyer’s final book and split it into two books. Breaking Dawn Part 1 had a wedding, honeymoon, pregnancy, supernatural birth, and Bella’s death/resurrection. And yet, that movie was still crushingly boring. My hopes were substantially low for Part 2, despite director Bill Condon’s (Dreamgirls) best efforts to jazz up all the awful plotting, characters, and romance. Then a funny thing happened. I started enjoying myself, and then the movie took some chances that I felt were daring considering its rabid fanbase. And then watching Breaking Dawn Part 2 became more than watching the film, it was also the experience of watching the audience. To that end, the movie delivers and I may rue these words but I kinda sorta almost liked enough of it.
Bella Cullen nee Swan (Kristen Stewart) and her husband, immortal vampire Edward (Robert Pattinson), have gone through the wringer. In her waning days as a human, Bella got knocked up during her honeymoon, and her half-human half-vampire baby killed its mama on the way out. Now Bella’s a vampire and a mom (note to self: start writing new script – “Single Mom Vampire”). Her daughter, Renesmee (Mackenzie Foy’s face on a whole lot of other people’s bodies), is rapidly growing. She’s mistaken for a vampire baby, which is a punishment worthy of death. This news gets Aro (Michael Sheen) to rustle up his Volturi forces, a group of vampires with super powers. They’re coming for the Cullens and little Renesmee. The friendly vampires scour the world, gathering “witnesses” to the tyke’s half-vampire status, but really they’re gathering an army to defend themselves. It’s super vamp against super vamp and heads will roll.
I clearly understand that I am in no way the target audience for this franchise and that my reams of pithy words will find little traction in the hearts of the Twi-hard faithful, but I’d like to state that I’ve never been a hater of the movies. Well, let me rephrase that. My thoughts ping-pong from liked okay (Twilight) to hated (New Moon) back to liked okay (Eclipse) back to hated (Breaking Dawn Part 1), and now here we back are to liked okay. Consider it a double-dip recession in quality. I still view the whole franchise as an exercise in pre-teen wish fulfillment, but I’ve already written extensively upon that theory so I won’t bother re-litigating that battle. With all that said, I found myself oddly enjoying myself for sustained durations. It’s just as silly as the other movies but finally we can move on from mopey Bella and her dubious romantic triangle. Finally we don’t have to suffer through two hours of kids making (new) mooneyes at each other (did I just out myself as “old”?). By this I mean finally something ELSE happens rather than the incremental coupling of Bella and Edward. Granted their kid is really more a prop than a character, but at least the story has taken one gigantic leap forward. Finally Stewart can actually smile and, you know, do things of actual consequence!
It’s no secret that the Twilight saga, as its monetary benefactors would like to dub the franchise, has noticeably been better the less time it spends with its female protagonist, Bella. Breaking Dawn Part 2 might just be the least Bella-filled episode yet, a cause of celebration for my brethren who view Ms. Cullen as an infuriating, insufferable, insulting protagonist. At least in this movie she develops a sense of self-identity, though too often that identity falls into the camps of Wife and Mother. With this movie, she’s adjusting to life as a vampire, so we get cutesy scenes of her hunting prey, learning how to fake looking like a puny human, and arm-wrestling the strong cocky vampire guy to, you know, for the strides in girl power. Too little too late, Bella. I find it more than a little funny that Bella’s super power is passive in nature, fitting a passive protagonist that waist for people to give her meaning and tell her what to do. I should stop before another rant unspools as I’ve done on previous Twilight writing occasions. In short: Bella sucks.
We’re introduced to a lot of new characters in this movie and each brings some sliver of backstory to develop. I’m not saying they’re all deserving of attention or interest, but at least these new clans of vampires brought some much-needed life to what has often been a claustrophobic, monotonous love triangle. Opening up Meyer’s world and seeing other vamps with special powers are a fun detour that I wish had taken place sooner. I liked seeing Lee Pace (TV’s Pushing Daisies) as a soldier from back to America’s colonial days. I’m left scratching my head why certain vampire members were added to the ranks when they didn’t even show up for the final showdown. What was the point of having Joe Anderson (Across the Universe) show up and be all skeptical about the group’s chances of winning… and then not have him join? So he was skeptical from the start and then remained so, choosing to sit the finale out. Well I’m sure glad we spent time on him then. Also, the movie falls into the trap of establishing super-powered beings that are too powerful. We get one guy who can control the elements. Not just one or two but freaking all of the elements. He’s like Captain Planet minus that dumb kid with the lame heart power. During the climactic battle, this kid uses his power ONCE. How do you give him a wealth of super powers and then sideline him? There’s also an Amazon vampire who can control people’s vision, namely making them see whatever she wants. How are these two assets not utilized for tactical supremacy?
I had the suspicion that Breaking Dawn Part 2 might be the best film in the series simply by the fact that it’s the one with the most Michael Sheen. God I love this man. His last-minute turn in the appalling New Moon banished the suicidal thoughts swirling in my head. Even when he’s in bad movies, Sheen is usually the best thing about them (see: TRON: Legacy or the Underworld films). Here’s an actor who knows exactly how ridiculous everything about this universe is, and by God he sinks his teeth in. The benefit of added Sheen cannot be overstated. The movie greatly benefits by having a strong outside threat early. Only the third movie, Eclipse, had an external threat from the start, and that gave the film a much-needed sense of urgency. I was with Sheen and the Volturi on this one. They were merely following the laws of vampires meant to protect their own kind. Vampire babies are a no-no since they cannot control their otherworldly urges, so they and their makes must be destroyed. You know you’re in for a darker Twilight when early on we witness a baby getting tossed into a roaring fire. I admit that I have a susceptibility to falling under the sway of magnetic villains. Perhaps this speaks to some character defect of my own. It probably just speaks to the fact that movies often have boring heroes and charismatic villains. Sheen is so hammy and delightful and I just wanted more of him amidst the melee that punctuates the end. The man even looks like he’s about to lead a marching band during the battle and he’s still badass. Such is the awesomeness of Michael Sheen. Of this there can be no question.
But then the Condon and series scribe Melissa Rosenberg do something almost extraordinary given the slavish devotion to the series fans have. They divert from the source material in broad strokes during the climactic vampire brawl. I won’t go into exact details but the preview audience I was with was absolutely losing their collective minds. Women were screaming, cries of “Nooo” rang through the room; all around me was the echo of consternation and shock, women trying to absorb the reality of what they were viewing. Sitting with them, taking in their shrieks and lamentations, the general horror of what might happen next… it was a thing of beauty. I can almost recommend seeing Breaking Dawn Part 2 simply to be part of this experience. However, you’ll have to act quickly and be selective. You’ll need a packed theater filled with vocal Twi-hards, likely an opening weekend evening crowd, the kind that openly cheer shirtless revelries from the male co-stars. And then just sit and wait, knowing that soon all that revelry will turn to shock. I sound so mean-spirited explaining this and that’s not my intention. I didn’t necessarily enjoy the discomfort of the Twi-hards. I enjoyed the bewilderment. It felt like the theater was alive, coursing with the energy of alert uncertainty. Anything could happen, including some very not nice things. To be one tiny drop in an ocean of furious estrogen, well it’s an experience that deserves mentioning. Its strange experiences like this that make me love going to the movies, and that, ladies and gentlemen, is a combination of words I’d never thought I would write about any Twilight film.
Also, though my expectations were never that high to begin with, I have to credit Condon with fashioning a fairly exciting action brawl, one that’s surprisingly graphic at spots for a PG-13 movie primarily aimed at young girls. The series has been building up to a massive showdown, and the movie itself has been putting the feuding factions into place, so it’s satisfying that the finale truly feels climactic and delivers some thrills. For the record, Meyer’s book was free of any climactic battle. This movie is chock full of decapitations. I cannot recall another PG-13 film that had this many beheadings. I think you could watch a drama set during the French Revolution and you wouldn’t witness this many people lose their heads. Is there no other ay to kill a vampire? What ever happened to the good old fashioned staking of the heart? These kids these days; all they want to do is decapitate. To dull the grisly spectacle, the beheadings are weirdly bloodless. Condon does a bangup job of setting up plenty of mini-payoffs and duels throughout his busy action centerpiece. Then when it looks like the carnage is at an end, the movie takes a page from the Final Destination playbook, which Twi-hards will probably find relieving. I thought it was a major cop-out but whatever. Let the kids have their happy ending.
Before you get your hopes up too extravagantly, this movie still offers plenty of stupid. I don’t care how you explain it, the imprinting thing is stupid incarnate. I still find it eternally creepy that Jacob couldn’t have the mother so he settles for the daughter. The fact that everyone treats this development so seriously makes me laugh. And oh boy, let’s talk about those Amazon vampires. First off, I find it hilarious that Meyer’s vision of vampire clans from around the world really just boils down to Europe and the Amazon. When they stepped onto screen wearing, and I kid you not, loin clothes and tribal markings, I was flabbergasted. Doesn’t anyone find this depiction to be at least deeply ignorant and culturally insensitive? I’ll stop short of calling it quasi-racist; though attaching “quasi” to anything lets you get away with most declarations (“This movie is quasi-watchable”). But when our big battle over a frozen lake takes place, why are these Amazon characters STILL wearing loincloths in the frozen landscape? Then there’s the annoying fact that Renesmee rapidly grows, meaning that Bella and Edward get to skip out on actually raising a baby. If Meyer intended to punish these kids for having sex in Part 1, then she needs to follow through on her antiquated sexual hang-ups.
As the franchise draws to a close, I’m trying to take stock of the five films and their overall impact (sadly, we all know with the potential riches, a reboot is likely only five years out). The end credits play out like a gauzy yearbook for the franchise, visually highlighting every significant speaking role, including the two different actresses who played villainous Rachel. The Twilight series has been very good to me as a writer; I’ve produced long-winded reviews with each new entry, and the opening-day people watching has become part of the spectacle I enjoy. That’s really what we’re dealing with here – spectacle. It’s all gooey romantic fantasy nonsense with some pretty bland characters, questionable messages for young girls, and such deadly seriousness. If we were grading on a curve, I’d say Breaking Dawn Part 2 is actually tolerable thanks to nominal character development, less whiny Bella, an influx of new characters, extra Sheen time, a better sense of humor, and a climax that truly feels climactic.
I can’t say the Twilight movies have gotten better as they’ve gone, though Condon has proven to be an apt choice to steer this franchise to a close. He’s given the franchise a bit more life, a bit more blood. I’ll never admit that the love story of Bella and Edward deserved five full-fledged movies, but I recognize the significance Twilight stands in many young girls lives. Fans will eat this stuff up. They’ll certainly enjoy the Bella/Edward sex where she doesn’t end up bruised. For them, it ends in a fitting sendoff, even after the jolts of text deviation morphs into giggled recounts on car rides home. For them, Breaking Dawn Part 2 will be the perfect ending to their beloved series. I can’t imagine anyone indifferent to the series working up that much interest, but I can say with sincerity that Breaking Dawn Part 2 is the best film in the Twilight series and potentially worth seeing for the rollercoaster ride of bewildered fan reactions. Now that the last blood has been drained from this franchise, let’s move on to more important items… like the next Hunger Games movie.
Nate’s Grade: B-