Must Love Dogs (2005)
Seriously, is there anything more that can be written about modern romantic comedies? If ever there was a genre comparable to horror, it’s these easily digestible, 90-minute love fests. I feel like I’m becoming a romantic comedy connoisseur. And it’s all because of my girlfriend. You see, without her I never would have seen Miss Congeniality 2, let alone in a first-run theater. I wouldn’t have seen Sisterhood of the Traveling Pants, and that was a very pleasant film. Added to the list is Must Love Dogs, a romantic comedy released right before the dog days of summer.
Sarah (Diane Lane) is a newly divorced 40-something preschool teacher (who looks freaking adorable dressed as a cat). Her very tight-knit family consoles her but also can?t stop from putting all their efforts toward helping Sarah get back on her feet. Sarah’s younger sister scours through her wardrobe and asks, “Where are all your boob shirts?” Carol (Elizabeth Perkins) creates an online profile for Sarah without her knowledge and submits it to an Internet dating website. She ends the profile by saying, “Must love dogs.” This allows for many disastrous dates, including one awkward date with her father (Christopher Plummer), himself on the dating scene. Jack (John Cusack) has just gotten out of a long-term relationship and his heart is fragile. He carves old fashioned wooden boats but struggles to make any sales. His buddy sets up a date with Sarah at a dog park. Jack borrows a dog and things don’t go so smoothly, but he sees something there. They go on additional dates and really feel a connection, even if the dates don’t go according to plan. But Sarah also has Bob (Dermot Mulroney), a hunky single dad to one of her preschool tykes, to choose from. What’s a hot single woman to do?
Must Love Dogs is a grab bag of romantic comedy clichés. You’ll find most everything here, from the sassy sister, the gay best friend (for 21st century advancements, the movie presents a gay couple), people trying to learn to love again after having their hearts broken, precocious children that say unusually adult things, a sing-along to a classic song, and the inevitable moment where one person finally has a late revelation and runs to catch their soon-to-be leaving love.
What hurts Must Love Dogs from its other cookie cutter ilk is how contrived so much of it feels. For the longest time the movie presents both of Sarah’s male options in a positive light, but because we see Cusack’s name above the credits and his face on the poster we know he’s destined to win out. Despite this, the film manufactures an entirely contrived scenario to put a wedge between Sarah and Jack. Bob walks in and, in an attempt to convince Sarah he didn’t bang her younger co-worker, kisses her on the spot. Then they pull apart and we see Jack standing there with Sarah’s drunken brother over his shoulder (how did he get back in the house anyway?). Must Love Dogs is another romantic comedy where the conflicts would be resolved with one levelheaded conversation between all parties.
What does keep Must Love Dogs afloat is how enormously likable and appealing Lane and Cusack are as actors. They’ve both been acting since they were teens (Lane was even on the cover of TIME magazine before she had a training bra), so it’s pleasant to see them mature gracefully but still remain vibrant, charismatic, and very good looking. After her blistering turn as the errant wife in 2002’s Unfaithful (which she should have won the Best actress Oscar for), Lane has found stable footing in romantic comedies dealing with the overlooked stories of a 40-something woman in love. In Must Love Dogs she’s generally strong despite the weak material. She has her funnier moments dealing with reaction. Cusack’s character is like Lloyd Dobbler (from the masterpiece Say Anything) in 15 years, and he manages to put his offbeat/sexy Cusack magic all over the film. With different actors as the leads, Must Love Dogs would be mostly forgettable.
Must Love Dogs also gives ample material to Sarah’s father and his pursuit of a mate of his own. Plummer is excellent as the wry old codger and has some very tender moments with Lane. It’s rare for a mainstream movie, let alone a romantic comedy, to sensibly deal with an elderly man’s own search for love, after losing the love of his life. It’s refreshing to see a movie that deals realistically with a 40-something woman and a 60-something man in the dating world, well as realistic as romantic comedies can get (cue the spontaneous sing-along).
In the formulaic world of romantic comedies, Must Love Dogs lands right smack in the middle, feeling equal parts contrived and enlightened. Lane and Cusack still shine as wonderfully charming leads and elevate this standard cookie cutter material. Plummer adds a nice addition in a smart, tender storyline of an old man looking for Mrs. Right. Fans of the romantic comedy genre will have their every expectation granted and feel the standard warm and fuzzies leaving the theater. Must Love Dogs is a typical romantic comedy that?s slightly funny, slightly charming, and slightly frustrating. And maybe that?s the film’s biggest flaw: it’s slight.
Nate’s Grade: C+