Blog Archives

The Prince of Egypt (1998)

Holy Moses, a Bible story made for a mass audience? The first animated feature from the folks at Dreamworks is ambitious, and crazy enough… it just might work. I’ll start right off by saying hands down this is great animation. The scenes are constructed with beauty and at certain times I did had something stirred inside me from the wondrous eye-candy. People look like people, not sketched cartoons. The animation and movement are so lifelike and fluid that you’ll easily be lost inside it and forget you are indeed watching a film people drawn by hand.

But while the visuals are lavish and splendid and just about every other adjective you can think of, the story suffers. The head folks had difficulty using the story of Moses because three separate religions use that story for their own purposes and beliefs. The trick is not pissing off any of the religions, and the end product is a very vague and gentile Sunday School lesson. They give you the message to believe, but believe in what? It’s never explained. The main characters tread over the thin ice of religious ire, and because of that intimidation they are often vague in descriptions and purpose. The idea of faith is pretty much gagged and taken away to be replaced with the supposedly more noble (and note; more universally agreed upon) issue that slavery is bad. You can’t help but feel a little like the producers chickened out with the material and hid behind the idea of slavery to not rise anyone’s blood pressure over a cartoon tale.

By making Ramses (Ralph Fiennes actually getting his second chance this decade to persecute Jews in a movie) and Moses (Val Kilmer, who also surmises the voice of God, but if God were Kilmer don’t you think he would’ve passed on The Saint?) not so black and white you have established that they are indeed people and both have their reasons for what they each do. You can see the motives and understanding for each, plus the tension and drama gets a shot in the arm.

While the music and message can be easily passable they can’t detract from the greatness that this movie projects with its simple and marvelous visions. You may gasp when the Red Sea is parted. I must confess though after multiple viewings on DVD the story and songs are indeed growing on me as is my impression of the film. This movie is more effective on your TV screen than the big screen.

Nate’s Grade: B

Tarzan (1999)

The next installment in Disney’s stranglehold on children is strikingly beautiful in its fluid animation, color, picture, and at times true excitement. But again it’s just more of the same.

Despite its rich animation, the story is again the lacking problem ringing in Disney’s big ears. Every word and action falls under the strict Disney formula code, which is restraining imaginative thought more than helping it. But that’s what you gotta’ do I guess if you wanna’ sell a billion of Tickle me Tarzan merchandise.

The plot is like a ghost of what Burroughs’ novel was originally, but with the typical Disney formula points; there’s the hero suffering from an identity crisis wanting something more, the fawn-like love interest who will eventually fall in love with the only available white man in central Africa, the treacherous one-note villain, and of course the bumbling sidekicks with comic relief and one-liners of slapstick and amusement for the kids. None of this was in The Iron Giant and it still managed to be a great film. Can we at least drop some of the items on the list?

The movie can get overly pretentious at times with the hammering of the ideals that nature… good, animals… good, man… bad. I’ve heard it all before, do I need it set to Phil Collins’ monotonous radio-friendly pop songs as well now?

Despite some flaws and the worse villain in a Disney movie of recent memory (a poor man’s Gaston) it is still enjoyable and worthwhile even with the creative constraint of the Mickey Mouse. Sure it’s already made millions but for my money Mulan was better.

Nate’s Grade: C+

South Park: Bigger, Longer, and Uncut (1999)

I‘ll start off and say I had fallen out of favor with the show at the time and really wasn’t interested in seeing the movie. But after being dragged along by a group of friends against my will I’m very glad I did.

I don’t fall into hysterics by hearing eight-year-old cartoons use the F-word profusely like many in my theater, but luckily for me there was plenty of wit to go around. The movie is riotously funny and I often found myself at times having to grip the armrest so I wouldn’t tumble out of my seat.

The movie could have been easily re-titled South Park: The Musical with the batch of 14 original songs they have that parody the Disney formula tunes and classic Broadway renditions. The songs are dead-on perfect at parodying their designed targets. The music is so brilliant and catchy that it deserves to be nominated for an Oscar for Best Original Comedy or Musical score if there is any justice in the film community. Never thought you’d see the words South Park and Oscar in the same sentence did you? Well neither did I.

The movie even plays witness to issues circling our country today like knee-jerk reaction to assess blame, responsible parenting, and blaming Hollywood media. This is a true piece of comic brilliance as they satirize anything and everything and so damn well. There are those that might take offense to some of the racial jokes but take it with a grain of salt because pretty much every person of race, creed, culture, and what not will be a source of humor. After all, that’s what Brian Boitono would do.

Nate’s Grade: A

This movie also revisited and analyzed in the article, “1999: The Greatest Year in Film? A Review Re-View.”