Val (2021)

Watching the documentary Val, comprised from thousands of hours of home videos shot by actor Val Kilmer over the course of 30 years, may make you realize just how little you know about the actor. His reputation is that he’s difficult to work with, conceited, and Method to the point of losing himself in roles and pushing his co-stars to the brink of sanity. Coming from his own words, narrated by his son Jack, naturally allows the most empathetic read of the man and his rationale for his personal and professional decisions. I never knew about his family life, losing his teenage brother who was an inspiration and early collaborator. I never knew Kilmer wrote his own plays, including a student production at Juliard that broke new ground. I never even knew he was an early adopter of technology and had a warehouse filled with his self-documentation and behind the scenes footage (Kilmer is even credited with the doc’s cinematography). You get the sense of a wounded and restless soul, a handsome movie star who so rarely found a film role that allowed him to feel like an artist in his element. Kilmer can be one of his generation’s greatest actors, as evidenced in classics like Heat and Tombstone and as Jim Morrison in The Doors, still one of the greatest acting performances I’ve ever watched. Kilmer languished through plenty of studio dreck as well. His time as Batman is marked by dejection and loneliness, stuck playing the straight man in a movie of oddballs and trapped in a suit of limited mobility and an inability to hear (actors and crew started avoiding him in the Bat suit because he couldn’t respond). Strewn throughout the movie is contemporary footage of Kilmer after beating throat cancer, though the subsequent surgeries have left his speech haggard. Listening to the labored and tortured sound of his voice is a direct jab to your sympathy. Given that this is produced by Kilmer from his own archives, and narrated by his son, the documentary isn’t as critical as it could have been. I wish the movie provided more self-analysis for Kilmer, especially on some of his rockier relationships and onset disruptions, like for the notorious Island of Doctor Moreau. I don’t think you can still fall back on his deceased brother for decades of his behavior. There’s a limit to the level of insight because it feels a bit like Kilmer managing his reputation and legacy within the industry. Still, for nearly two hours, Val can be a poignant and illuminating expose of an actor with a reputation for equal parts trouble and brilliance.

Nate’s Grade: B

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on July 28, 2021, in 2021 Movies and tagged , , , , , , . Bookmark the permalink. Leave a comment.

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