Wanted isn’t so much a movie as a fetish vehicle for teen males, with sexy cars, sexy guns, and sexy tatted-up Angelina Jolie, daring the predominantly male audience to decide which is sexiest (I am not a car aficionado nor a gun person, so I’ll say that Jolie easily outpaced her competition).
Wesley (James McAvoy) is a pathetic office drone that sweats out his days never raising his voice. His best friend is constantly screwing Wesley’s bitchy girlfriend, his boss constantly harangues him into panic attacks, and, saddest of all, a Google search results in nothing for Wesley Gibson’s name. He tells us he has done nothing with his life. This all changes when a mysterious woman named Fox (Jolie) tells Wesley that the father he never knew has just died. Not only that, Wesley’s father was one of the world’s greatest assassins and he might just be a chip off the old block. Wesley is recruited into The Fraternity, a thousand year-old organization whose membership includes the best-trained killers. Sloan (Morgan Freeman) is the leader who assigns the targets. He gets his orders, literally, from the Loom of Fate, a weaving loom that writes binary letters via stitches. The Loom of Fate decides whom the planet would be better off without. Fox and her cohorts train Wesley to accept his destiny and avenge his father’s murder.
The movie fails to establish any form of internal logic or continuity, so anything preposterous suddenly becomes accessible. That means people can jump from one skyscraper to another, you can outrun a moving train, cars will do the damndest things, and that you can curve a bullet simply by rotating your hand and shutting off that little part of your brain that says, “This is defying all laws of physics.” For some reason, people are able to shoot bullets down in mid-air as a defensive maneuver but they rarely take aim at the person, surely a bigger and slower target. It’s like The Matrix outside of the Matrix with no reason for being Matrix-y. The idea is that these super assassins have super hearts that beat like 400 times faster, which pumps more blood and allows their senses to heighten. This somehow allows them to slow down time, zoom in on subjects, and react extra fast. It doesn’t make any sense but then again this is a movie where the killers are taking orders from the Loom of Fate. While I’m on the topic, really, a loom that stitches targets in binary code? Isn’t there an easier way for fate to decree who should be bumped off than someone scrutinizing the stitch work of a rug? What happens when it lists a name with more than one owner? How many “John Smiths” must be killed to secure that the correct Mr. Smith has been erased? My father thought the Loom of Fate was the most bizarre and interesting aspect of the movie.
Despite the freewheeling action, there is something decidedly depraved about fully embracing Wanted. The premise of awesome killers demands awesome carnage, and Wanted dishes out violence as an act to be savored and glorified. Wesley’s self-actualization is linked with getting better at making others suffer, and in the end the film advances a questionable message to follow suit. The movie exists in a hyper-realistic video game universe devoid of consequences. I can see future news reports of idiot teenagers playing their own deadly game of curving bullets (they may have to establish a Wanted category for the Darwin Awards). But yet the most disconcerting feature of Wanted is its dismissive nature toward human life. I’m not even talking about the assassin premise, though trained killer flicks usually work better when the pros have some sort of personal code. Wanted is a fetishistic worship of human bodies being taken apart in loving, gory detail under the auspices of being “cool.” Innocent life barely merits a half-hearted shrug. When Wesley and Fox bring their fight on board a train the eventually force the vehicle off a cliff, and the movie makes no mention of all those innocent people plummeting to their doom. That would get in the way of the film being “cool.”
With all that said, Wanted can feel like a high-octane rush to the senses. This film is soaked in adrenaline. The stunt work is astounding and the action is ramped-up to ridiculous levels. I say ridiculous because the film never establishes any form of internal logic or continuity, but I also say ridiculous because the action can be tremendously exciting and embellished with stylistic flourishes. Wanted is a slick and imaginative action movie, and the fact that it often dances with satisfaction makes me sick for enjoying it so. Summer is the perfect opportunity for empty calorie movies with style to spare, and Wanted is a five-course meal of glossy, disposable artifice. Director Timur Bekmambetov previously directed the Russian vampire films Night Watch and Day Watch, but Wanted is a giant leap forward in budget and sheer scope. Life inside this man’s head must be crazy. He takes the outlandish and makes it seem common.
The story is rather derivative and smashes the plots of Fight Club and The Matrix together, proving that not only were screenwriters Michael Brandt and Derek Haas alive in 1999 but they were also furiously taking notes. The whole notion has been done to death, a loser who secretly harbors superior talent and ability waiting to be realized. It still proves to be a popular and mostly pleasing storyline because it taps into a universal desire to be special. Brandt and Haas aren’t so much constructing a story as they are constructing a series of eye-popping moments. There is very little substance beneath all the fireworks (stand up for yourself and slay your antagonists?). Normally I’d take issue with a film’s trashy vapidity; however, when that film happens to be so good at being so good looking.
McAvoy is rather believable when he plays the dweeb eking out a miserable existence. He knows how to play meek and anxiety-riddled while maintaining a vulnerability that stops his character from coming across as a figure of annoying inaction. He sure gets beaten up a lot and I’m not quite sure why this is supposed to make him more inclined to join The Fraternity, but then again it hasn’t stopped thousands of college males from wanting to join their own fraternities. McAvoy is less believable when he suddenly transforms into a super soldier, like a pint-sized Rambo. Jolie relies on her exceptional sex appeal in lieu of acting, which is fine with me. It’s good to see her in a role where she can fully make use of her physical talents. Freeman is essentially in the Samuel L. Jackson role and even gets a chance to drop an MF-bomb.
Wanted is a crazy cool and mostly crazy action thriller that is more than a little sick in the head. Its video game universe covets beautiful bloodshed and exquisite carnage. It’s rather depraved and morally questionable not in approach but in execution (no pun intended, well maybe). Wanted is a gory, profane, darkly humorous action movie that secretes adrenaline with every frame. The imagination on display is impressive but you may wish that it had been used for better purposes.
Nate’s Grade: B
Posted on July 1, 2008, in 2008 Movies and tagged angelina jolie, chris pratt, comic book, common, gory, james mcavoy, killers as leads, mark millar, morgan freeman, strong heroine, thriller, Timur Bekmambetov. Bookmark the permalink. Leave a comment.
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