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Not Another Teen Movie (2001)

Spoofing is often believed the cheapest and lamest form of comedy. One runs jab after jab, and gag after gag relentlessly hoping that some hit but content that if they don’t more will follow with the potential to. But many of the jokes in a spoof aren’t textured; there’s nothing below their surface. Spoofs can be done well or they can be embarrassing and wretched to sit through. Count Not Another Teen Movie in the latter category.

At John Hughes High School (can you feel the parody, can you?) it’s life as we know it for stereotypes and clichés. The Bitchy Cheerleader has just dumped the Popular Jock and the Cocky Blonde Guy has initiated a bet that PJ cannot turn anyone into prom material. The men size up their choices, including an albino girl singing about her lost pigmentation (one of the few funny gags), and decide on the Pretty Ugly girl who is beyond all hope with her glasses and ponytail. Meanwhile, the Cruelest Girl is trying to find a way to seduce her brother, the Popular Jock, a trio of Virgins try and, what else, lose their virginity, and the Best Friend with Hopeless Crush tries to work his klutzy charm.

In a genre full of Freddie Prinze Jr.’s greatest hits (or misses, however you want to look at it) a parody wouldn’t be too difficult to prescribe. All too often the film has no edge and falls back on scatological humor as its savior once too often. An exploding toilet and a flying vibrator can only do so much. There has to be things behind it. Alas, there is nothing. For every one part funny (a character tries to find the right moment to start a slow and building applause) there are three parts inane, satirically flaccid, crudely useless, or bordering on exploitative (the foreign exchange student who drapes around completely nude the entire film). The jokes arrive many times cold and require a good deal of familiarity with the subject material it’s spoofing. NATM seems to not think too greatly of the audience for it. The film continually seems to explain jokes after they happen or reacquaint the audience with the source for spoofery. The worst example may be that the movie has to SHOW a character watching a scene from ‘Pretty in Pink’ mere seconds before it spoofs that very scene.

The movie, as a whole, has about six good gags and bits but the rest is watch-checking time. Some comedic threads don’t even get the proper treatment to become good jokes. The Token Black Guy’s introduction is rather funny, but then all he does in the film is repeat the words he said he could only say. Now, if the other characters had begun to question this law of teen movies, and asked him questions then this idea could have been ripely handled. As it stands it’s another joke in a line of jokes that go nowhere but we keep going back to repeatedly.

The flick was directed by Joel Gallen, marking his film debut after years as an MTV producer. Gallen shows no finesse when it comes to comedy as everything is rammed into the ground. His film is a spoof with nothing to do, much like the bad but better Scary Movie 2 earlier this year. Jokes come and go but they serve no purpose in moving things along or setting up greater jokes. This is comedy lost in the woods.

NATM is an attempt to satirize the teen genre, which should have been a rather easy job to do but instead just becomes another sad addition to it. And a rather poor and limp addition at that. NATM doesn’t know that the audience isn’t laughing with it but at it.

Nate’s Grade: C-

American Pie 2 (2001)

First and foremost I disliked the first American Pie movie. It just rang very transparent for me and I didn’t laugh once – a capitol crime with a comedy in my book. So I wasn’t exactly looking forward to another addition with the American Pie family, but ventured out with friends and found myself enjoying this second helping of raunch. And this time I genuinely laughed at several points and found it overall less insipid.

To American Pie 2‘s benefit all the characters have been introduced prior and are familiar to the audience, therefore no time is wasted on pointless set-up. The movie jumps right out to the familiar faces and decides to further the AP2 universe. Jim (Jason Biggs) and friends are returning back home after their first year of college. Jim has not had a sexual experience since his prom night with Michelle the band geek (Alyson Hannigan) and he is completely in doubt of his abilities in the bedroom. Complicating matters is the news that the Czech student of his fantasies Nadia (Shannon Elizabeth) is on her way back and is eagerly anticipating another tryst with Jim. Kevin (Thomas Ian Nicholas) is still hung up on his ex Vicky (Tara Reid) and worrying that his friends will grow apart and college will change everything. Oz (Chris Klein) seems to be doing fine with his monogamous relationship to Heather (Mena Suvari), despite the taunting of Stifler (Sean William Scott) that he needs to spread out. Finally Finch (Eddie Kaye Thomas) is still chasing after the only woman that ever caught his heart, Stifler’s mom.

After the boys return back to their roots the police bust a party at Stifler’s pad, and they are without a place to party for the summer. Kevin brings to their attention the idea of renting a cabin on the beach for the summer. The place serves as a spot for the boys to enjoy their sunshine-y days away from school and stay together as friends, as well as attempt to get an abundance of tail. Hi-jinks ensue.

AP2 almost seems to follow the formula of the first one to the letter. The opening scene has Jim’s dad (the always hilarious Eugene Levy) walking in on an embarrassing moment for Jim (you think he’d learn that doors have locks at this point). Jim encounters a horrific sexual accident that he must discuss with his father afterwards. Stifler gets a not-so-nice encounter with a bodily fluid in the beginning party. And it all ends with a big party to end all parties with everyone hooking up with a partner for some post-coital spooning. The script was written by the same writer of the first yet he seems to be playing connect the dots with his own formula.

What American Pie 2 does to separate itself as more enjoyable than the first is give the interesting characters the majority of the time and leave the least interesting sputtering for air. The interesting ones follow: Jim is a nice guy full of the same insecurities that plague a teenager and intimacy, and Biggs plays him as an everyman who somehow always seems to come into sadistic moments of embarrassment. With Jim’s wish to be more sexually adept he visits the infamous band camp and finds Michelle once again who agrees to coach him on techniques and pointers. Hanigan is given an incredible amount more of screen time and she’s glowing in every second of it.

Also the man-you-love-to-hate Stifler has a larger role leading his group of lakeside roommates into encounters with lesbians and other sexual calamities. Scott may be playing Stifler as a jerk but he’s entertaining and genuinely funny, and at one point you can’t help but root for the crass frat boy. Finch has learned that Stifler’s mom will be paying a visit to their cabin at the end of the summer and spends his time studying up on Tantra and Zen to fully explore his inner sexual prowess.

The entire cast from the first American Pie romp does return, though not everyone has equal time. Mena Suvari (still looking so young) leaves in the beginning of the film and then comes back at the very end. The insatiably annoying Reid (who has eyes that I can’t tell where her whites end and irises begin) thankfully is only in the film for two short scenes which leads me to question was she even necessary in the first place? Natasha Lyonne is only in scenes alongside Reid, so her stint in the sequel is equally as brief. Elizabeth’s role might be central to Jim’s quest for sexual fulfillment, but she only pops up in the last eight minutes of the film – and doesn’t show her breasts this time. Now that I think about it Klein and Nicholas really weren’t in the film too much either except for standing in the background while another character talked.

The soundtrack is a collection of every pop “punk” band that’s been playing on MTV since May of that year. It’s like the producers just watched the channel for a week and would point to the ones they wanted.

The film still is a mishmash of gross out sexual humor and sentimentality, but for some reason it’s a lot easier to swallow the second time around. For all its bodily fluids and crudeness, American Pie 2 has a stickily sweet secretly conservative old-fashioned heart. Though the makers would never tell you so. In a summer almost bankrupt on entertainment value I’ll leisurely take a slice of American Pie 2.

Nate’s Grade: B-

Scary Movie (2000)

If you can’t stomach crude humor perhaps Scary Movie is not the ideal picture for you. If you’re unsure of things like a geyser of semen that could rival any of the inclement weather in A Perfect Storm, or the big screen’s first aural sex scene — then turn away now as fast as you can. But for those hungry for the gross-out laughs of There’s Something About Mary though, Scary Movie delivers in spades.

The story of Scary Movie revolves around a cross-section of the Scream trilogy and the J. Love Hewitt ‘Summer’ escapades. The plot is still kept together with ease but always gives sizable room and advantage for the film’s numerous parodies and slapstick. All of the typical high school clichés are present (naturally played by actors in their 20s and 30s). There’s the loudmouth jock who’s short where it counts (Lochlyn Monro), the busty and ditsy beauty queen (Shannon Elizabeth), the virginal Neve-like innocent (fresh-faced newcomer Anna Faris), as well as countless stoner buddies following the antics of Shorty (Marlon Wayans) among others. Together along with roaming newscaster Gale Hailstorm (SNL‘s Cheri Oteri) and “special” police officer Doofy everyone tries staying one step ahead of our black-hooded fiend’s list.

Scary Movie ruthlessly skewers not only the works of horror author Kevin Williamson but along the road are American Pie like teen sex farces and just about anything else you can think of. The lampooning establishes parodies of The Matrix, The Sixth Sense, The Blair Witch Project with a hilarious close-up of Oteri, Amistad, the Budweiser “Wassup” commercials, and one movie I won’t even mention as to not give away one of the film’s best spoofs for a great ending. Scary Movie is a movie rich in laughter of all sorts as well as pure guaranteed shock value. The cast even parodies their own source actors perfectly with Shawn Wayans doing a perfect drooling of Matthew Liliard and officer Doofy as a perfect representation of David Arquette.

Director Keenen Ivory Wayans’ Scary Movie doesn’t just wrestle with bad taste, it gleefully rolls around in it. Scary Movie is easily the funniest movie of the year and will likely stay that way. It’s also the first movie in years that I have actually walked out of with my face aching from so much laughter. Scary Movie will be this year’s word-of-mouth sensational smash as it smashes taboos and taste full-ahead.

Nate’s Grade: B

American Pie (1999)

 

I may be a lone voice in a sea of opposition but I’ll say that I really didn’t laugh much at this latest teen sex romp. I wanted to laugh more than I did, oh I did, but it never really transpired. The movie throws together out of place gross-out gags and false sentimentality. The entire thing was predictable and for the most part stale. I may be over-analyzing a teen sex comedy, but that’s what I had to do with the time where I wasn’t laughing. The creators of this seem to imply that gals who don’t put out aren’t worthwhile or even cool. I could never feel for any of the characters or relate because they were all so shallow. There are some humorous scenes in this flick but they are few and far between. Many of the jokes just fall flat. Overall I could say I was greatly disappointed with American Pie and hope that the most innovative joke in the next teen sex comedy isn’t played to death in commercials and turned into a tagline. Are you listening Universal marketing team?

Nate’s Grade: C

 

South Park: Bigger, Longer, and Uncut (1999)

I‘ll start off and say I had fallen out of favor with the show at the time and really wasn’t interested in seeing the movie. But after being dragged along by a group of friends against my will I’m very glad I did.

I don’t fall into hysterics by hearing eight-year-old cartoons use the F-word profusely like many in my theater, but luckily for me there was plenty of wit to go around. The movie is riotously funny and I often found myself at times having to grip the armrest so I wouldn’t tumble out of my seat.

The movie could have been easily re-titled South Park: The Musical with the batch of 14 original songs they have that parody the Disney formula tunes and classic Broadway renditions. The songs are dead-on perfect at parodying their designed targets. The music is so brilliant and catchy that it deserves to be nominated for an Oscar for Best Original Comedy or Musical score if there is any justice in the film community. Never thought you’d see the words South Park and Oscar in the same sentence did you? Well neither did I.

The movie even plays witness to issues circling our country today like knee-jerk reaction to assess blame, responsible parenting, and blaming Hollywood media. This is a true piece of comic brilliance as they satirize anything and everything and so damn well. There are those that might take offense to some of the racial jokes but take it with a grain of salt because pretty much every person of race, creed, culture, and what not will be a source of humor. After all, that’s what Brian Boitono would do.

Nate’s Grade: A

This movie also revisited and analyzed in the article, “1999: The Greatest Year in Film? A Review Re-View.”