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The Humans (2021)

I was left cold and confused by The Humans. It’s an adaptation of a Tony-award-winning play, by the playwright himself, and I don’t know what all the fuss is about. It’s a sparse movie set during a tense Thanksgiving dinner while a dysfunctional family moves one of their own into her New York City apartment. The conversation style is very natural and the characters behave like recognizable people; however, that doesn’t make them particularly interesting. This was the same issue I had with last year’s Shit House movie, a movie that confused realistic conversations with interesting conversations. Just eavesdropping on people and getting the occasional spark of conflict is not enough. I was relatively bored throughout and then when the movie tries to lurch into paranoia horror I had no idea what was happening. It feels like a dull drama that had no real ending and then someone said, “What if we spent the last ten minutes of this chamber piece conversation walking down dark corridors and inspecting noise?” The acting talent here is tremendous, including Amy Schumer in a rare dramatic role, and it just feels like a waste of their time. I don’t know what proved so appealing to critics here.

Nate’s Grade: C

Seeking a Friend for the End of the World (2012)

1800It’s the end of the world as we know it and I oddly felt fine… which is not a good sign for your apocalyptic movie. Seeking a Friend for the End of the World is a peculiar thing, all right. It takes place in the last three weeks of the human race. And lest you think the film wimps out on the promise of its title, think again. I was bemused for the first forty minutes, where writer/director Lorene Scafaria indulges in a series of one-scene vignettes of how humanity comes to terms with the certainty of annihilation. There’s an adult party where people joyfully try heroin, a hit man-for-hire service to bring back some of the mystery of death, and a restaurant where all the workers are spaced out on Ecstasy. I found each of these moments to be funny and a well though-out extension of the premise. But then the film’s diversions give way to the rom-com of our main characters, played by Steve Carell and Keira Knightley as your standard manic pixie girl. And the more time I spent with them the more I found myself not getting engaged. My emotional empathy was kept to a minimum; they’re nice people and all but I didn’t find them that interesting. The resulting movie feels like one of the weakest avenues given the premise. I credit Scafaria for not wimping out in the end, but as these characters faced oblivion together, I felt little emotional stirrings in my chest.

Nate’s Grade: C+

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