The King’s Daughter (2022)
Originally filmed in 2014, The King’s Daughter is a curiosity as it’s been on the shelf for almost eight years. As another critic quipped, in the ensuring years, star Kaya Scodelario has been in an entire trilogy of Maze Runner movies. I don’t know what this Chinese-by-way-of-French production was going for as we follow the court of King Louis XIV, played by Pierce Brosnan in an astounding array of outlandishly bad costumes and terrible wigs. He resembles a Vegas magician set back in time. Anyway, he calls to court the young Marie-Josephine (Scodelario) who has been raised by nuns since she was dropped off as a baby. If you can’t already see where this is going, then I can’t help you. But wait because there’s also a mermaid (Bingbing Fan, who in the years since this movie possibly served time in China’s prison for tax evasion) in the basement being held captive because Louis thinks eating her heart will be the key to him becoming immortal. So, yeah, what is this? It’s striving for a fairy tale/storybook sort of feeling but it’s a plot that will only work with the youngest of children. The characters are simplistic and boring, and once the mermaid is introduced it becomes like a costume drama version of Free Willy. Even with being on the shelf for eight years, the finished film still feels rushed, and the special effects for the mute mermaid are a colorful mess. Fun fact #1: the director is responsible for 4 Baby Genius sequels. Fun fact #2: this will be the late William Hurt’s last movie to his career. The King’s Daughter is a movie that makes you ask, “What were they thinking?” quite a lot, and the best decision was to withhold it from mass viewing for eight years.
Nate’s Grade: D+