Can You Ever Forgive Me? (2018)
Melissa McCarthy adopts the Oscar bait route of pre-approved credibility, which usually means playing a tragic, self-destructive real-life figure, stripping away any sense of vanity, and working with an up-and-coming indie film director (Diary of a Teenage Girl‘s Marielle Heller). The recipe is alive and well in the consistently entertaining, but only for so far, Can You Ever Forgive Me? which traces the life of literary author Lee Israel, a biographer who nobody wants to read, that is, until she starts “discovering” lost letters from the likes of Noel Coward, Dorothy Parker, and other famous authors. In total, Israel forged 400 letters and sold them to private collectors and archivists until the FBI charged her with fraud. Because of the relatively low-stakes nature of her accidental jaunt into criminality, the “how” is less interesting than the budding friendship formed between Israel and a malcontent bawdy barfly/partner in crime (Richard E. Grant). Their rapport is wonderful and they truly seem to be having a ball with their ill-gotten gains, yet they still maintain a vulnerability even to the very end. In many ways this film does for McCarthy and her standard barrage of caustic, anti-social characters what Punch-Drunk Love did for the Adam Sandler introverted goofball sad-sack barely concealing his explosive rage. It’s a grounded deconstruction on that familiar movie archetype we’ve seen from a popular comic actor. There are some interesting aspects about Israel’s lonely life, like a timid female bookshop owner who circles around a potential romance with Israel, but it’s really a two-hander of a movie between Grant and McCarthy. Can You Ever Forgive Me? is a slight character-driven drama with comedic elements, but McCarthy shows that she has the acting chops to play multi-faceted characters in any genre if given the right opportunity.
Nate’s Grade: B
Posted on October 25, 2018, in 2018 Movies and tagged book, crime, drama, gay, indie, marielle heller, melissa mccarthy, nicole holofcenter, oscars, richard e. grant, true-life. Bookmark the permalink. Leave a comment.
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