Mission to Mars begins with a team of astronauts making the first manned mission to the red planet. Unfortunately things go… um, bad, and thus with no knowledge of any survivors and the six month time period it takes to travel to Mars, NASA sends out a rescue mission. More things go bad.
The setting is supposed to be 2020 but everything looks exactly like 1980. In the future there seems to be heavy reliance on product placement. From Dr. Pepper, to M&Ms, to having the damn Mars buggy plastered with Penzoil and Kawasaki. Are these astronauts Earth’s interstellar door-to-door salesmen? I was half expecting them to nix the American flag and firmly plant one for Nike. Maybe the future’s just this way because they drink from square beer.
Director Brian DePalma unleashes fantastic special effect after another, but they can only sugarcoat the bitter taste Mars leaves in your mouth. Mission to Mars is tragically slow paced, full of interchangeable and indiscernible characters, and begging for some kind of insight. Don Cheadle and Gary Sinise prove that no matter how great an actor you are, when you’re given cheesy sci-fi dialogue, it’s still cheesy.
The fault lies with the more than three screenwriters and DePalma himself. Plain and simple, DePalma has lost his touch. His good days (The Untouchables) are clearly behind him on his new downward slide. Mars in any other director’s hands would no doubt be different — and that’s no bad thing. DePalma’s style of appropriations rips off the earlier, better, and more insightful 2001 and Close Encounters of the Third Kind.
Mars is surprisingly and sadly devoid of any tension or suspense. The suspense was likely killed in the efforts to portray an “accurate and realistic NASA manned planetary exploration.” Yet the scientific inaccuracies in this “accurate” portrayal are far too numerous to mention – let alone remember all of them. You cannot have tension during a problematic situation when the score is blaring church organs.
One can suspend belief and enjoy movies but Mars is a listless journey toward sentimental other-worldly beings that just want a hug. Can we have them destroying our cities again? Pretty please.
Nate’s Grade: C
Action with actual thought. Surreal and marvelously shot, but the only qualm is that the characters shift far too easily from foolish gold-seekers to moral people crusaders. It’s too fast and too unbelievable. But the innovations visually and the pumped-up storytelling and action are marvelous. Spike Jonze steals the show, but it’s not hard to guess what happens to him when the title of the movie is called Three Kings, there are four characters, and you’re the only one name not above the marquis.
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