Downton Abbey: A New Era (2022)
I have only watched the first movie, released in 2019, and know precious little about this widely successful BBC television series detailing the rich aristocrats and their plucky servants, so take my assessment with a whole serving tray of salt. The first Downton Abbey movie served as an epilogue for the series, providing extra resolution to several characters and coupling up others to provide a happy ending. Then it was wildly successful (a worldwide gross of almost $200 million) and so creator/writer Julian Fellowes (Gosford Park) got to come upon with yet another epilogue, this time finding even more happy endings and couplings for the those left out from the first cinematic victory lap. As someone new to this world, I was amused by its understated wit, puffery and pomp, and class conscious dramatics, plus it had a killer cast, most notably Maggie Smith as the tart-tongued Dowager Countess. The second cinematic offering is mostly more of the same, splitting the cast in two locations. One half are inspecting a picturesque villa in the south of France left to the Dowager, to the buttoned-up surprise of her son who questions what relationship his mother had with the former owner. The other half are stationed at the Downton estate while a Hollywood film crew decamps to make a movie. The inclusion of the movie-within-a-movie allows for some dishy moments, starstruck characters, and opportunities for a few Downton residents to make their mark in the pictures. These scenes are fun and provide some interesting conflict as the production has to quickly adapt from being a silent movie to one of them newfound all-the-rage talkies (with a lead actress better suited without sound). It’s a fluffy side story but allows many characters to shine. While the movie is mostly low-key and charming, much like its first big screen effort, by the end there might be some real tears, especially if you’ve been with these characters from the start. If you’re a Downton fan, you’ll eat this all up. I did have two questions that lingered: 1) where is this baby that was the entire story line for Edith in the first movie?, and 2) where in the world is Lady Mary’s husband (Matthew Goode) by the end when he should definitely be in attendance? My pitch for Downtown Abbey 3: Stiff Upper Lip begins with Lady Mary divorcing her racecar-obsessed hubby and moving to Hollywood for a new adventure.
Nate’s Grade: B