Windfall (2022)

When is a 90-minute movie egregiously too long? When it’s like Windfall and lacking plot and direction and tone to justify all those minutes. The scaled-down production follows three characters confined to the grounds of one location. Nobody (Jason Segel) is trespassing and living on a fancy estate, complete with orange grove, but when the rich owners, CEO (Jessie Plemons) and Wife (Lily Collins), come home and find the mysterious man, he holds them hostage. From there, you would think the movie might be a comedy of errors, a social satire, and it’s not really. Or maybe you would think it’s a taught thriller with each side trying to manipulate the other, and it’s not really. It’s not really a comedy and not really a thriller, so its laughs are minimal, its thrills are trifling, and it comes down to spending too much time with characters that lack the depth to justify the investment. This movie is strictly kept at parable level, so the characters are meant as ciphers, hence the generic title names. These people are not that interesting to spend this much time with. The movie feels like an anecdote stretched beyond the breaking point and by writers I respect (Seven‘s Andrew Kevin Walker and Charlie McDowell, the writer/director of 2014’s The One I Love). That beguiling little indie movie also revolved around one luxury vacation home and a feuding couple but it had an intelligent sci-fi twist that kept things focused on characters and creative ingenuity. There is no such turn with Windfall. It’s all kept so frustratingly obvious, so the movie just feels plodding and meandering, like we’re simply waiting with the characters for things to end too. The insights are too few. The burst of violence at the end as climax feels unearned and too little too late to raise the stakes. Mostly, Windfall is a hostage drama that doesn’t want to be a hostage drama, a social satire that doesn’t want to be a social satire, a thriller that doesn’t want to be a thriller, and a movie that doesn’t have a consistent tone or direction or entertainment value.

Nate’s Grade: C

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on March 20, 2022, in 2022 Movies and tagged , , , , , , . Bookmark the permalink. Leave a comment.

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