The Woman in the Window (2021)

The story behind The Woman in the Window is far more fascinating than the finished movie, based upon the 2018 best-selling debut novel by Dan Mallory under the pseudonym A.J. Finn, a hasty rehash of popular thrillers, notably Rear Window, mixed with recent unreliable narrator mystery/thrillers like The Girl on the Train. It’s actually somewhat shameless how derivative it comes across, so much so that you might be able to guess one of the movie’s Big Twists in the literal opening minutes. Amy Adams plays an agoraphobic psychiatrist who believes the new neighbor (Julianne Moore) across the street has been killed by her husband (Gary Oldman), and no one believes her because of her drinking and medication and general misogyny and obvious twists. I cannot tell if screenwriter Tracy Letts (Killer Joe) and director Joe Wright (Darkest Hour) were going for camp or sincerity, as the movie veers chaotically until its final groan-worthy revelation, which is apparently taken right from the source material. There aren’t any significant moments of tension. I was more confused why and how everyone was constantly coming into this lady’s opulent New York brownstone. I was also wondering why the filmmakers made Oldman look like Jon Voight. The troubled movie was delayed twice, went through several re-shoots by Tony Gilroy (hey, it worked for Rogue One, right, Disney?) and ultimately cast off to Netflix. The most interesting aspect of this movie, by far, is the author being discovered as a fraud and fabulist of the first order, lying about everything and anything to elicit pity and use it for personal and professional manipulation, and I’m talking lies about his mother dying of cancer, his brother committing suicide, himself suffering from a recurring brain tumor, and even pretending to be his brother to write emails to colleagues while still maintaining the same distinct writing voice. Mallory’s years of pathological lies (he blames it all on being bipolar now) have actually inspired a TV series where Jake Gyllenhaal is set to play him. You should spend the time you would have used watching The Woman in the Window on Netflix and instead read the extensive New Yorker article that painstakingly paints the damning portrait of Mallory as a narcissistic con artist who would weaponize people’s sympathy.

Nate’s Grade: C-

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on May 20, 2021, in 2021 Movies and tagged , , , , , , , , , . Bookmark the permalink. Leave a comment.

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