On the Rocks (2020)
Sofia Coppola’s examination on the relationship between fathers and daughters feels like it would have been more entertaining had it gone for a more farcical tone. On the Rocks follows a struggling writer (Rashida Jones) who is questioning whether her husband (Marlon Wayans) is having an affair. Her partner in this makeshift investigation is her bigwig father (Bill Murray), a notorious Lothario whose own penchant for cheating and flirting with every woman has shaped his daughter’s perspective on relationships. If this is a comedy, I can’t tell you where the comedy parts are. The premise sounds rife with potential for hijinks and comedic mishaps trying to remain elusive. The father-daughter history is also ready for some combustible confrontations and perhaps some shades of earned empathy by the end. The problem is that the movie just sort of happens. It unfurls before your eyes, and those elements are there for the taking, but Coppola’s story never seems to really grab at any of them to build more sustained engagement. It feels like Coppola has taken a zany sitcom premise and adopted the tone of a somber indie exploring middle-class ennui. The amusement is under the oppressive force of melancholy. The dramatic substance also feels too dithering and without greater observation and exploration. Jones has some outstanding moments and Murray is at his best when he’s onscreen with her, his outwardly performative qualities shining light on a relative unspoken history that hangs over them. Even Marlon Wayans is good as the possibly philandering spouse. Really, the movie seems to be about the gnawing questions of doubt and suspicion and how quickly one can succumb to them. By the end, I don’t really know what Coppola was going for here. It’s a nice enough film, it holds your interest, and it has a few surprises, though I don’t know if they amount to much. On the Rocks feels like an early draft of a much better or much funnier movie.
Nate’s Grade: B-