The Aeronauts (2019)

It’s been deemed “Gravity in a hot air balloon” and that succinct blurb is both unfair and also entirely accurate. Based on true events, we follow a pair of nineteenth century scientists pushing the bounds of understanding when it comes to weather atmospherics. When it’s up in the clouds, The Aeronauts can be a thrilling, visually gorgeous, and viscerally compelling movie about survival. Director Tom Harper (Wild Rose) uses modern camera techniques and lenses to make this old timey survival story feel immersive and alive. The film does an agreeable job of letting an audience understand the dangers that await and the mini-goals needed to avoid those dangers as well as the rising stakes or their limited options. The special effects team on this movie perform a minor miracle with how they’re able to translate what I assume was just a balloon basket and a giant green screen stage into a soaring, visually rich landscape of awe and terror. Felicity Jones is our protagonist, a woman who yearns to be accepted as a scientist as well as recovering from a personal tragedy, and she performs some impressive feats of physical acting when the film requires her to be very limited. Her co-star Eddie Redmayne does his usual Redmayne bashful, mumbly, soft-spoken, head-tilting stuff. Where The Aeronauts suffers is that half of the movie is derived of flashbacks for both of the characters to provide motivations why they ended up in that balloon basket. Imagine if half of Gravity was watching Sanda Bullock on Earth mourning the death of her daughter and deciding whether or not to go into space. It’s filler, plain and simple, and there’s too much of it. The motivations are pretty standard (wishing to prove one’s self, earn the respect of disapproving parental figures) and the information doesn’t add to the balloon sequences, like they learned some crucial detail that ends up saving their lives. The Aeronauts is legitimately a movie I would recommend seeing on the biggest screen possible to really enjoy the arresting and nerve-wracking visuals. Also, feel free to duck out for bathroom breaks every time the movies disappointingly decides to come back to Earth.

Nate’s Grade: B

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on December 14, 2019, in 2019 Movies and tagged , , , , , . Bookmark the permalink. Leave a comment.

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