Uncut Gems (2019)
Uncut Gems is like having a panic attack. It’s frantic, unpredictable, exhausting, anxious, paranoid, visceral, and I still don’t know if I can say I actually enjoyed the actual movie. I can admire it and its effectiveness at putting the viewer in the world of Howard Ratner (Adam Sandler), a middle-aged jeweler that owes money to every shady human in New York City, though I don’t know if I want to step back into this mucky world of crime, losers, and lowlifes. It’s 2012, and Howard has procured a rare gemstone from Ethiopia and considers this his big score, which is important considering he keeps taking on more debts to pay off the last debts to angry, violent men. Basketball star Kevin Garnett, playing himself surprisingly well, visits the shop and is obsessed with the gem and the mythic power he feels it offers him. Howard agrees to allow the NBA star to borrow the gem, and from there Uncut Gems is a nonstop descent into chaos, with creditors, auction houses, family members, mistresses, and every goon in the tri-state area colliding with Howard as he spins desperate deals, escapes, and anything he can to attain that big score. The Safdie brothers, a writing/directing pair, made a big splash with 2017’s gloriously thrilling Good Time, a movie that was as brilliantly streamlined and direct as this new one is deliberately sloppy. It feels like one plot event crashing into another, with characters speaking over one another, a throbbing score constantly in your ear, and with claustrophobic camerawork and grimy lighting. You feel like you’re experiencing the constant rush of anxiety of Howard, and it’s very potent, but the movie can also feel repetitive. There’s so much happening all the time that it can feel less like things are escalating worse than things are just still happening. There are stellar sequences, in particular the later act with an auction and pulling off an escape leading to a very complicated high-risk-high-reward bet, but the movie’s sloppiness and overlapping nature also makes it feel smothering. Sandler is superb as an adrenaline junkie seeking his next fix, a self-destructive gambler who knows he can never be satisfied. With Sandler’s able assist, Howard has an offbeat charm that makes you listen when you should be punching him in the nose. Without Sandler and his live-wire performance, you probably wouldn’t care what happens to this mess of a man. Julia Fox plays Howard’s mistress and she’s a real discovery. This is her film debut and it certainly won’t be her last. She’s more than a pretty face and finds a screwball sweetness to her relationship with her boss, enough so that you think she may actually love Howard for real, in her own way. Uncut Gems is also shockingly unsentimental about its characters and what befalls them. You may laugh, you may gasp, but you’ll be surprised one way or another. The Safdie brothers continue to solidify themselves as some of the most exciting filmmakers working in the thriller genre. I’ll still prefer Good Time and a scuzzy Robert Pattinson to a scuzzy, bruised, beaten, and always-smiling Sandler, but Uncut Gems is two hours of collective adrenaline spikes.
Nate’s Grade: B