On the Basis of Sex (2018)

Given the high-profile treatment of a popular documentary and an awards-bait caliber feature, you’d be forgiven for thinking that people either thought justice Ruth Bader Ginsberg was due for recognition or was about to die. On the Basis of Sex takes more than a few nods from 2012’s Lincoln, showcasing its subject trying to pass key reforms/legislation as a means of better insight into his or her lasting legacy. To that end the film is a success. It’s an intelligent legal procedural taking time to find judicial footholds, craft compelling arguments, and the back-and-forth challenges of overturning hundreds of years of precedent that viewed women as essentially lesser. If you enjoy rhetorical debates on legal minutia, this might be the movie for you. However, if you wanted to get a better understanding of Ginsburg (Felicity Jones) the person, then you’re out of luck. She’s more or less the vessel for social justice and the film keeps her more as a lionized symbol for change than as a person. Her frustrations, such as being denied the same opportunities as men, are meant to serve as a reminder of the frustrations of the many. There are a handful of scenes with dismissive, doddering middle-aged men that feel too stagy, and yet I’m sure that these same curt comments and patronizing behaviors were a daily affair (and still are). Jones doesn’t feel like she has a full grasp on the character beyond as symbol (her Brooklyn accent is a bit slippery as well). You also get to process the reality of Ginsburg as a sexual being as she initiates PG-13 sex with her supportive husband (Armie Hammer). It’s kind of like thinking about your parents having sex. On the Basis of Sex feels a bit, ironically enough, too old-fashioned. It’s got dramatic courtroom showdowns, including an eleventh hour speech, and all the old Oscar bait tropes we’d expect from this sort of movie. It plays to every expectation of its audience. Beyond learning about the legal arguments, there’s nothing new or insightful here. Stick with the RBG documentary and hear the same stories from the real deal herself.

Nate’s Grade: B-

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on January 13, 2019, in 2018 Movies and tagged , , , , , , , , . Bookmark the permalink. Leave a comment.

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