Sully (2016)

cpbh8ejwgaaispb-jpg-largeI think I had the same initial thought that most did when they saw the news that there was going to be a movie about the Miracle on the Hudson airline pilot: where exactly is the feature-length story? The flight itself lasted only about 200 seconds before landing on the river, and the sequence is thrillingly recreated and held off until halfway through the movie. The hero in the cockpit, Sully (Tom Hanks), is consumed with ensuring each and every last passenger is accounted for. When he gets the news that all survived, he can finally allow himself to breathe, to take in the full magnitude of the events, and it feels like a cleansing moment of deep emotional catharsis for him and the audience. But what’s the movie here? Apparently the NTSB and the airline insurance companies are disputing whether Sully could have safely landed the plane back at an airport instead. It’s exactly the kind of flimsy, manufactured conflict that sets itself up for moral grandstanding and a courtroom confrontation where our heroes will be vindicated, and we get all that. Sully’s unexpected spotlight wears on him as he feels like an ordinary citizen not worthy of the term “hero.” No other plane has successfully landed in water without a loss of life, so I’m sorry pal, but you’re a hero, even if you think you were just doing your job. Hanks is suitably low-key and humble and strong and emotionally resonant, though he was better on just about every front with Captain Phillips. The direction from Clint Eastwood is respectful without going into hagiography. The overall message is one of uplift, widening the focus from Sully to other heroes in New York City that day that came together to help others. It’s a moving message without having to resort to melodrama. At a mere 96 minutes, Sully gets you in and out and provides a solidly entertaining glimpse at the people who rose to the challenge when needed most. It’s a well-made movie that goes as far as it can without trying your patience.

Nate’s Grade: B+

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on September 22, 2016, in 2016 Movies and tagged , , , , , , , . Bookmark the permalink. Leave a comment.

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