Lights Out (2016)
When it comes to horror, concept is king, but what’s just as important is fully developing that concept to meet its potential, and that’s where Lights Out succeeds. This is a low-budget horror movie that taps into a primal fear of the dark with a supernatural entity named Diana that can only be seen outside light sources. Thankfully, director David F. Sandberg smartly thinks of fun and interesting ways to play with this concept, like Diana disappearing in bursts of muzzle fire and a frantic, life-saving use of a car alarm. There’s a great suspense sequence where an off screen light from a flickering neon sign, switching off and on steadily, sets up audience expectations and lingers, drawing out the fear. The editing is terrific. There’s also a surprising subtext tackling the issue of mental illness and depression, as Diana, the malevolent spirit tethered to Maria Bello’s character, only seems to appear during the rougher patches of her life, and Diana fights against Bello getting “better” which weakens her existence. Theresa Palmer (Warm Bodies) settles in as a capable heroine that genuinely cares for her younger brother in danger from her mother and her “friend.” I cared about the people in this. The movie also subverts some genre clichés and treats its handful of characters with credibility. While the very end leaves some questionable final statements on mental illness, Lights Out is an elevated B-movie that takes its fun premise and executes it with aplomb. It’s worth 90 minutes in the dark.
Nate’s Grade: B