The Call (2013)

The-Call-2013A surprise hit last spring, The Call is a simple but rather effective thriller that wavers a bit in the end but not enough to derail your entertainment. Halle Berry stars as a 911 operator talking through a teen girl (Abigail Breslin, spending far too much time in a bra for my comfort) kidnapped in the trunk of a car. It has the hallmarks of the typical action thriller genre, namely our heroine working through her past trauma of inadvertently getting another young girl abducted by the SAME killer. The Call plays best as we think alongside our two embattled heroines, going step-by-step how to determine where she may be, what car she may be inside, and how to draw attention to her predicament. The writing is economical and fast-paced and mostly smart, having the police act like actual professionals. Director Brad Anderson (Session 9, The Machinist) employs plenty of extreme close-ups that effectively draw upon the claustrophobia and urgency. For a solid two acts, the movie seamlessly transitions form one obstacle to another. Then the third act arrives where Berry decides to leave her post and take matters into her own hands. The film becomes far more predictable, conventional, and veers into the absurdity it had avoided for so long. The creepy killer has a half-hearted creepy back-story/fetish, Berry behaves far too cavalierly when she should be notifying the cops, and the ending defies all sensible logic. It’s meant to be a poetic punishment but, upon minor reflection, it’s entirely possible that this loose end will come back to haunt everyone yet again. In total, The Call is a breezy, suspenseful thriller that is well-acted and directed with style (the pounding electronica score doesn’t fit, though). The downturn at the end is disappointing but The Call is still worth taking.

Nate’s Grade: B

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on October 16, 2013, in 2013 Movies and tagged , , , , . Bookmark the permalink. 1 Comment.

  1. Nice review Nate. I’ll give credit where credit is due, the first-half was fun and exciting, the way a small, but simple thriller should be. However, once that first-half is all said and done with, then it just gets stupid.

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