Insidious is like a fresh coat of paint on the old haunted house movie. Director James Wan and writer Leigh Wannell, the team that birthed the grisly Saw franchise, are working in a completely different realm of horror, tying together familiar genre elements (creaky doors, séances, possession, demons with a lipstick fetish?) into one seriously effective spine-tingler. This PG-13 frightfest is well paced and methodically constructed, giving you pause whenever a character ventures offscreen. It finds a way to make old fears scary again. Wan and Wannell find ways to get under your skin. The final act lacks the precision of the rest of the movie, settling on too many explanations and a jumble of action, but the movie works. There are plenty of memorable, deeply creepy images afoot, the score of shrieking violins is a great addition to the ambiance, and the characters seem, given the outlandish scenario, fairly realistic and relatable. Rose Byrne and Patrick Wilson make a rather sweet married couple. Insidious is something of an old school horror film, using clever tricks and avoiding obvious clichés while building a genuine atmosphere of trepidation. The movie got me to yell at my TV, which is an achievement in itself for a horror flick. I lost my sense of place and reverted back to a participant, spooked at what may be lurking in the dark. Not too bad for PG-13.
Nate’s Grade: B+