Pirates of the Caribbean: At World’s End (2007)
Shiver me timbers Jerry Bruckheimer. The Pirates of the Caribbean movies are taking no prisoners when it comes to money and fans. Ten months after 2006’s Dead Man’s Chest comes the concluding chapter to the Pirates saga. At World’s End is longer, bigger, and more expensive, but it is also the first Pirates movie that felt like a ride I wanted to get off.
The British navy, at the command of Lord Beckett (Tom Hollander), is eliminating all piracy once and for all. He now controls the heart of Davey Jones (Bill Nighy) and so controls Jones and the crew of the Flying Dutchman, the most fearsome ship run by cursed barnacle-encrusted crewmen. As the very busy hangmen will attest, it’s not a friendly time to be a pirate. The Black Pearl has set out to Singapore to find support from Soa Feng (Chow Yun-Fat), one of the nine pirate lords. The Pearl is now commanded by Barbosa (Geoffrey Rush) who was brought back from the dead thanks to the witchy Tia Dalma (Naomie Harris). They travel to the ends of the earth to Davy Jones’ locker to rescue Jack Sparrow (Johnny Depp), who was last seen in the belly of a beast. Elisabeth (Keira Knightley) and Will (Orlando Bloom) are both aboard and still bickering about their stalled romance. Once Sparrow returns to the land of the living, the group meets with the other pirate lords from all across the globe in an effort to pull together and stand against Beckett.
As it turns out, the fear that Pirates of the Caribbean: Dead Man’s Chest was a 150-minute trailer for this movie was unfounded. That’s because the third movie in the Pirates of the Caribbean series completely ignores or messes up the many intriguing setups from the second film. Character motivations from Dead Man’s Chest are mostly unresolved and revert to stock generalizations. Jack Sparrow feels like he’s been grafted onto an unrelated storyline. Most disappointingly is what happens to Davy Jones, the greatest addition to the Pirates landscape. This awesomely-realized villain was scary and fascinating and looked fantastic thanks to Oscar-winning special effects. At World’s End takes such an intriguing villain and turns him into an impotent tool to Beckett. He’s been transformed into a houseboy who might as well fill people’s teacups. Yes Davy Jones thankfully figures into the climax but why in the world’s end must an audience wait that long? Davy Jones reminds me a lot of the ghostly twins from 2003’s The Matrix Reloaded who were completely dropped from the second Matrix film to the third.
But not only does At World’s End fumble the hand-off from the previous sequel, the movie itself establishes many setups with poor or unsatisfying payoffs. So much is made about the pirate lords from all over the world, and we see a colorful collection of international pirating groups that is fitfully amusing, but the whole section has no point at all. Chow Yun-Fat’s character is a non-starter; in fact none of the new characters introduced in At World’s End play any importance on the overall plot. The film is building to a final all-out battle between the united pirate lords and the British navy. We witness the awesome sight of the sea filled with vast armadas of ships, and as an audience we are getting hungry for some epic nautical action. Then At World’s End pretends that none of the other ships matter and sets its entire battle as one ship versus one ship inside a whirlpool. While this is admittedly exciting it isn’t anywhere near as exciting as an entire war amongst hundreds of ships. The filmmakers have all the money in the world and they couldn’t give us a little something bigger in scope? The pirate lords could have just as easily been cut from the movie if they were just going to stand on the sidelines and wave a flag.
The pirate lords make a big deal about their apprehension with releasing the sea goddess Calysto from her earthly prison. The pirates trapped her into the body of a human in order for them to gain control of the seas. They reckon she’ll be one very bitter sea goddess and take out some apocalyptic wrath out on the pirates. So the pirates release her, cowering in fear at her powerful reprisals and,,, nothing. Calysto vanishes, causes some mildly inclement weather, and is never seen again. Talk about a lot of pointless hot air.
I think perhaps the clearest example of how the movie screws up is with the monstrous Kraken. This slimy beast got a ton of attention in Dead Man’s Chest and was a ferocious terror on the high seas. Now, I would expect that such a creature that played an integral role in Dead Man’s Chest would be back for the next sequel. Ignoring its prominence in the plot, the thing just looked amazing onscreen. But with At World’s End the giant monster is killed off screen and in between the movies. I felt insulted when I saw the mighty carcass washed ashore like a pathetic beached whale. What is satisfying about that? Why would Beckett make Davy Jones kill such a powerful weapon he could use for his own unseemly gain? It makes no sense. The Kraken isn’t the only character done a disservice by a plot stuffed to the gills. Some are killed in terribly pointless incidents and it just becomes irritating.
At World’s End is missing the high-flying fun of the first two Pirates movies, and this venture just feels draggy, tiresome, and far too dreary. You know you’re headed for some morose subject matter when a movie hangs an eight-year-old before the opening credits. This latest film is crushed to death by the weight of excess plot and confusion. There’s a damn near 20-minute section of the movie that’s nothing but characters double-crossing, triple-crossing, quadruple-crossing each other; it literally requires a character to spell out what has just taken place and set the record straight. I don’t think At World’s End ever recovers from this absurdly confusing miscue.
The film seems more interested in talking over an audience than delivering something genuinely thrilling and stirring. There’s a curious lack of action and nothing new matches the imaginative action set pieces of the previous films, like the duel atop the roving water wheel. Excluding a large melee between the Black Pearl and the Flying Dutchman as the climax, the action pops in and out in shortly timed bursts. For a movie within a hair or running three hours, there needed to be more action. Instead of derring-do, At World’s End spends interminable periods of people talking, usually in personal quarters, and explaining the increasingly laborious plot to each other. All of the Pirates movies are filled with false endings and heaping helpings of extra plot, but this is the first time I really felt the real drag of its running time. Director Gore Verbinski still knows how to keep things looking good but he can’t save the film from its anchor of a maddening and convoluted plot.
The movie is not without its due pleasures. Depp is always going to enchant with his now iconic character, but the true star of the film is Rush, who makes welcomed return. The special effects are still tops. The sequence rescuing Jack from the world of the dead provides many trippy moments that possess their own strange beauty, like when we watch the Black Pearl sail against the black, star-spotted sky. It’s fun seeing Keith Richards appear in cameo as Jack’s father and the stated inspiration for Depp’s performance. A small man and a large gun makes for one very funny sight gag. A Mexican standoff that actually involves an armed monkey is a comic high point. It’s just that all the fun or memorable moments seem to be the ones that matter the least. At World’s End still manages to do enough right to work, especially its Singapore opening. As far as a movie that upholds the quality of its franchise name, that’s a whole other matter.
Pirates of the Caribbean: At World’s End is a somewhat entertaining but heavily flawed final film to a trilogy. It’s the darkest and trippiest of the three movies, but it also makes the least amount of sense and has the least amount of action. That doesn’t seem like a good exchange in my book. There are not enough important events to justify the bloat. At World’s End has a hardcore case of butterfingers when it comes to handling plot and character setups from earlier films, and as a result almost nothing and no one ends in a satisfying fashion. The effects are still eye-popping and Depp will always be a comic treasure, but this lackluster movie feels like tripping at the end of a marathon. I had so much hope for At World’s End after how gratifying I found the other two movies but I cannot quell my disappointment. This is not a fitting conclusion. This feels more Matrix Revolutions than Return of the King. Of course it’ll make tremendous amounts of booty at the box-office, but will demand for a fourth be as rabid after this muddled and murky capper?
Nate’s Grade: B-
Posted on May 25, 2007, in 2007 Movies and tagged action, bill nighy, fantasy, geoffrey rush, gore verbinski, johnny depp, jonathan pryce, keira knightley, naomie harris, orlando bloom, pirates, quirky, sequel, stellen skarsgard, supernatural, tom hollander. Bookmark the permalink. Leave a comment.