Pirates of the Caribbean: Dead Man’s Chest (2006)
America loves its pirates, plain and simple. We as a nation are infatuated with the characters and the high-seas adventure of 2003’s Pirates of the Caribbean: Curse of the Black Pearl. We?re starving for more, and when the first in a two-part sequel was released it only became one of the biggest movies of all time. Pirates of the Caribbean: Dead Man’s Chest has shattered box-office records, rolling up $100 million in two days and a record $135 million weekend gross, easily surpassing former champ Spider-Man‘s supposedly invincible $118 weekend tally. America loves its pirates more than Spiderman, Star Wars, and who knows, maybe even Jesus. After all, Dead Man’s Chest did just kick out The Passion of the Christ from the top ten all-time grossers. Mel Gibson sure has a lot of grief at this moment.
Jack Sparrow (Johnny Depp) is a wanted man on the high seas. The East India Company, whose emissary now controls the Caribbean town of Port Royal, is after Jack and his special compass. But Captain Jack has bigger fish to fry. Davey Jones (Bill Nighy), ruler of the seas, wants what was promised to him: Jack’s soul. Jack made a bargain with the sea creature and now his time is running out. He must assemble a crew and track down the whereabouts of a buried chest. Inside this chest is the still-beating heart of Davey Jones, and he who controls the heart controls Jones, and thus the seas. That is why the East India Company is so interested in Jack. They’ve made an arrangement with groomis interuptis Will Turner (Orlando Bloom), who had his wedding hijacked and his bride (Keira Knightley) locked away. If he can retrieve Jack’s compass, then he and Elizabeth will be pardoned for aiding and abetting a known pirate. Will and Elizabeth each set off to find Jack Sparrow and to gain their freedom.
The filmmakers have taken notes in the school of sequels from The Empire Strikes Back. Like the second Star Wars chapter, we’re left with the heroes separated and licking their wounds, evil appears to have the upper hand, and the lives of some beloved characters are left in doubt. Just as long as there’s no Ewoks, Disney has guaranteed my place in line on opening day 2007 for Pirates 3.
It?s hard to fully judge this Pirates sequel because it’s part one of a two-part story. I’m holding out my final say, especially if this movie just turns out to be an expensive 150-minute teaser trailer for Pirates of the Caribbean 3. I can?t fully judge many story and character arcs because we don?t know where movie #3 will carry them. Maybe it’ll end up being like the middling Matrix sequels, where subplots and characters were dropped as if the Wachowski brothers had screenwriting butterfingers (it’s a film critic’s unwritten duty to deride the Matrix sequels at any chance). At least this movie ends with a jolt that I did not see coming.
Most surprisingly, Dead Man’s Chest suffers little from the creative deadlock of sequels. Dead Man’s Chest is more a sci-fi monster fantasy than a swashbuckler. The supernatural edge has swallowed the series whole. Take for example Jack’s broken compass. What once was an oddity befitting its owner is now seen as another element of magic. Some of the interest seems lost if things are simply explained away as being magical. The story, unlike the Matrix sequels (See: above), expands and enriches its universe. Some leftovers from the first film made me cringe. I thought we were headed for a bad track, where the movie uses the audience’s memory as a cheap storytelling device. Familiar characters might pop up every which way, smiling, and saying, “Hey ho, remember me?” Miraculously, the leftovers are integrated so well with the new tale that they really do matter and don’t come across as cheap shortcuts. Norrington (Jack Davenport) and the two comic relief cursed pirates are all smartly woven back into the troupe, and each impacts the story in a non-obtrusive manner. Even the undead monkey is used well.
I made it a point to keep my expectations in check for Pirates of the Caribbean: Dead Man’s Chest. It would be naive to think that you could catch lightning in a bottle again. Yes, now with audience expectation we lose the originality and unpredictability that made the first Pirates adventure so joyously delicious. And yet I found myself getting riled up just the same and being whisked away by spirited entertainment. My expectations may have been tempered for Dead Man’s Chest but I still greatly enjoyed the ride. It seems that my opinion sharply differs from my overly negative critical colleagues; my own sister said Pirates 2 was one of the worst movies she’s ever seen. That seems a bit rash. She hasn’t even seen any Uwe Boll movies.
There are moments that seem to stretch the credibility of the story. It’s been said before that it’s not the impossible that bugs you but the improbable, and this holds true for Dead Man’s Chest. I’m able to believe Davey Jones and his creepy crawly crew, but I’m not able to believe that Elizabeth Swan could single-handedly best them all at once in sword fighting. The movie becomes dangerously close to eye-rolls in parts, but generally steers clear of moments that rip you out of the story. Of course a Pirates film would be nothing without Johnny Depp. He’s the main reason the first film was so memorably embraceable and entertaining. It?s not every day someone gets nominated for a Best Actor Oscar playing an addled, swishy comic pirate. He’s truly the star and has been one of our finest actors long before he had any box-office clout. He’s created a character so beloved that he’s crossed over into the cultural lexicon. How many Jack Sparrow outfits do you see come Halloween? I had a friend directing a high school performance of A Midsummer Night’s Dream and every young actor wanted to audition as Captain Jack interpreting Shakespeare. Come to think of it, Jack Sparrow would certainly liven up some of the bard’s dusty works.
Depp is still hilarious and likeable even when he’s being a scoundrel. We simply love this character; I love this character. The unpredictable nature of Jack feels squeezed dry by the demands for familiarity with sequels, but Depp finds new ways to enthrall in Dead Man’s Chest. Some people are going to be uncomfortable with Jack being more dastardly, willing to trade others’ lives to save his own hide. I think desperation is an interesting place to put this character. Besides he has his big hero moments as well.
New dimensions are added to the other characters. Knightley gets to be shrewd and try her hand at pragmatic treachery. It eats her up inside at the end and Knightley, a nice comedic actress, allows us to see the rough seas of guilt within her. Bloom will always be Bloom, meaning he’ll be handsome, British, and seemingly too little for grownup movie stuff. Will is given a whole new set of daddy issues when he actually gets to spend time with dear departed dad (Stellan Skarsgard). Best of the rest (“the rest” being everyone other than Depp) is an unrecognizable Nighy, who saunters his deck with the fiery air of a preacher. Nighy manages to make Davey Jones even more interesting. Naomie Harris (28 Days Later) makes her presence felt as a witchy woman responsible for Jack’s compass.
The action sequences are gigantic and well constructed. They expand with organic complications and a lively, graceful sense of humor. An already fun sword fight atop a watermill wheel gets even more pleasing when the giant wheel breaks free and the fight continues. Three characters climb inside and out, all vying for a key that keeps changing hands thanks to gravity. A human-sized fruit-kabob tied to Jack has a wonderful payoff for something that seemed completely random. The special effects are gorgeous. You can practically taste the slime and sea salt from the creatures. Davey Jones is a fantastic design and I’m dying to know how they did his tentacle beard. Whether it be motion capture, CGI, or puppetry (was someone billed in the credits for “operating” Bill Nighy? Does that sound like a fluffer?), it’s all dazzling to behold. The Kraken is ferocious and so well designed that it’s destined to give an entire nation?s children nightmares for weeks. Coupled with the equally super expensive Superman Returns, it seems that nowadays if you want special effects that will retain their wow-factor, it helps to have a $200 million dollar budget. Director Gore Verbinsky has a terrific eye for shot compositions; I am convinced that if you give this man good material then he will give you popcorn gold. If you give him bad material, well, then you get shiny but pointless stuff like The Weather Man.
I know this movie, at its center, is empty. It’s grand throwaway entertainment, a true popcorn romp, but yes, when you get down to it the film has little to it. It’s an explosion for the eyes and has some great characters and action choreography, but Dead Man’s Chest is nothing more than very pricey, very tasty cotton candy.
Pirates of the Caribbean: Dead Man’s Chest feels less like a rehash and more like the start of an exciting new voyage. It’s darker, bigger in scale, scarier, louder, brasher, but still barrels of fun. Time will tell whether the back-to-back sequels will support enough intrigue to cover two very long, very expensive action movies. But Dead Man’s Chest has the key Pirates ingredients returning: clever screenwriting duo Terry Rossio and Ted Elliott, and, naturally, the irreplaceable Johnny Depp. An early eye gouging might set the icky tone, but this is one sequel that compares favorably to its source. We’re left in a very Empire Strikes Back position, but not after running out of breath keeping up with the many treasures of Dead Man’s Chest. Nothing will recapture the magic of the 2003 original but this is one summer sequel that delivers without letdown. Then again, after Pirates 3, it could all be for naught. See you in 2007!
Nate?s Grade: B+*
*Final grade pending the outcome of Pirates of the Caribbean 3.
UPDATE: Having just seen the third film, I’m somewhat conflicted. Many items from Dead Man’s Chest have little payoff in the third film, At World’s End. So while I wouldn’t grade Dead Man’s Chest any higher after seeing where it concludes, I still find it to be too fun to rate any lower. Its final grade stands.
Posted on July 25, 2006, in 2006 Movies and tagged action, bill nighy, comedy, disney, drama, fantasy, gore verbinski, johnny depp, keira knightley, monsters, naomie harris, orlando bloom, period film, sequel, stellen skarsgard, supernatural, tom hollander. Bookmark the permalink. Leave a comment.