Bicentennial Man (1999)
I shed a tear for what the great comedian Robin Williams has become. Once the quickest and sharpest of minds just cascading with outrageous and fanciful wit has been turned into the holiday gift-giver of schmaltzy pull-from-the-heartstrings sap.
The story of Bicentennial Man is set in the not-too-distant future, so not-too-distant that it looks like it’s just next week – with the addition of flying cars. The future seems to lack outbursts, crime, and even minorities. Seems like not everyone has a future I guess. In this world of marvels you can buy a shiny metal man for your home life and/or atrociously neglectful parenting needs. Enter walking trash receptical robo-Robin as Sam Niell’s family nanny and solution for not getting his children a dog. Through the 200 years robo-Robin learns to laugh, and love, and what the true meaning of humanity is and heart. Put some scrubs on him and this entire thing is basically Patch Adams in Space.
As the film lags on it grows increasingly more annoying until the point where it might cause audiences to bleed from the ears. If you thought a dentist appointment was painful just wait until the euthanasia comedy kicks in here.
Williams yet again throws on his usual holiday blubbery dough eyes and message of good will. But this time the pill is much harder to swallow, especially coming from an actor encased in silver foam rubber. The movie aims for a deep message of what makes us human, but comes away more likely with the message of “Wait an hour for Williams to get this crap off then do his schtick.” If you’re trying to find out what makes people human, it certainly ain’t this flick. Williams has such unparalleled comic ability that one wonders why he is wasting his time on sappy films like these when he needs to flee back to his zany comedic roots. Anyone could be a robot in this, judging from the acting for a start, but no one can do the things Williams does – and that’s why his uniqueness is being utterly wasted.
The real heart breaker isn’t in this movie, it’s seeing Robin Williams fade into mediocrity and seem content with it.
Nate’s Grade: D