Arlington Road (1999)
Psychological thrillers are always much harder to pull off than the standard Hollywood action flicks. Bullets and explosions are replaced with taut mental games and psychological grips played with reluctant victims. Though harder to pull off, the spoils can be fruitful. Arlington Road tries to bridge the gap since the last great psychological movie (a little something called Silence of the Lambs) and has lofty intentions. But its efforts fall short.
The movie moves at a snail’s pace and has the feel of a novel instead of a screenplay. Mark Pellington, the director most known for the Pearl Jam video “Jeremy,” is completely wrong for this picture. His blurs, camera swirls, exaggerated close-ups and poor lighting makes you wonder if they forgot to take off the lens cap and seem entirely out of place. Scenes go on forever with no real connection to one other.
Sure, the movie has a boatload of stars. Tim Robbins wondrously pulls off the menacing feel that his creepy neighbor character needs to seem dangerous. Joan Cusack is the standout with her devilish take on suburban motherhood and her never-ending evil grin. But while the acting is good, the movie is devoid of suspense and tension for the most part.
The movie does pack suspense into the last ten minutes. The ending is haunting and will linger with you for some time after you exit the theater. But even a terrific ending doesn’t make up for what the audience has been made to suffer through to get to that point.
Arlington Road tries to reach for the sky with its idea that terror doesn’t come from overseas, but from our own backyards. The idea is ripe with potential, but Arlington Road never lives up to it. I guess the public will have to wait for the next great psychological thriller. But Arlington Road gives me hope for what the future may bring.
Nate’s Grade: C+