Nuremberg (2025)

Taking an Oscar-winning courtroom classic and eliminating 40 minutes sounds like a surefire gamble, and while Nuremberg has its heart in the right place, bringing Nazis to justice, it cannot help but feel like a more shallow and rushed version of 1961’s Judgement at Nuremberg. That’s not to say different movies cannot exist from the same source material or true story, even in the shadow of famous stories. However, this version feels strangely perfunctory, condensing the worldwide judicial response to the horrors of the Holocaust into a simplified buddy movie about a psychologist (Rami Malek) who has to learn the hard way that maybe, just maybe, Hermann Goring (Russell Crowe) might not be trustworthy. It’s frustrating that the depth of this story and the plight of so many is reduced to one guy getting too close to his subject as well as having to learn the most obvious lessons about applied evil. Also, the culminating courtroom showdown, where so much hangs in the balance and Goring has been hyped as the most of challenging of cross-examination opponents, and it all resolves so easily, with a different prosecutor essentially using a cheat code to undo Goring’s pseudo-intellectual front. It’s quite a lot of buildup for a, “Wait, that’s it?” response, and much of the movie follows this same disappointing route. The acting is relatively good all around, with Crowe especially good as a chummy narcissist, and the production quality is sufficient to recreate its post-war period, but I couldn’t help but feel that I was missing out on a richer story. It’s so flattened out and self-important with its limited details to actually satisfy. The ending tries to draw a direct line to Trump today and I don’t quite know if it’s done the work. Nuremberg is one of those Important Movies that garners early Oscar buzz on paper, and then when people actually see it, falls away as an also-ran, mostly because it was missing a few too many important elements to resonate. It takes 130 minutes for Malik to learn that Nazis might not make good friends. You’ll probably already know that already.

Nate’s Grade: C+

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on February 12, 2026, in 2025 Movies and tagged , , , , , , , , . Bookmark the permalink. Leave a comment.

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