The Secret Agent (2025)

The Secret Agent is a hard movie to fully categorize. It’s set in 1977 Brazil and with its title you might think it’s about some clandestine espionage operation or fighting against a corrupt government, and it does fit those descriptions but not in a traditional Hollywood way. We follow Wagner Moura (Narcos, Civil War) as a former grant-supported energy scientist who comes to clash with a powerful businessman who then hires an assassination team to kill this know-it-all. It’s also about entrenched police corruption and coverups, a found family of people seeking protection and new lives, the search for memory and proof of life, a father wanting to connect with his son in the wake of his mother’s death, and then there’s a running story about a severed leg that goes into the wildest, most unexpected places. It is a leisurely paced movie at almost two hours and forty minutes in length, but each scene is its own luxurious moment to dwell in. Take for instance the opening scene where Moura drives his car to a dusty, rural gas station and finds a dead body covered in newspaper. Nobody wants to come claim the corpse, and then the police do arrive but they take particular interest in Moura, wanting to search his car and ask him questions. Do they know something? Who is this man? A similar early scene involves the police investigating a dead shark where a severed human leg was found inside its mouth, and the way it unfolds and escalates is so naturally fascinating. The Secret Agent juggles many different tones, from nostalgic drama to crime thriller, but every scene is so expertly written and paced by writer/director Kleber Mendoca Filho (Aquarius, Pictures of Ghosts). You may grow weary by its length, but when I was in every scene, I didn’t want it to end because it feels so well-realized in its moment. There’s a subversive switch-out with its climax that reminded me of No Country for Old Men, and the ending coda ties together the flash-forwards and hits hard with the theme of uncovering and honoring the past. This is a lot of movie, much of it I admired more than I outright loved, but it’s such a fascinating balancing act that I would recommend The Secret Agent as a sprawling dive into Brazilian history, culture, and its own political reckoning.

Nate’s Grade: B+

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on December 28, 2025, in 2025 Movies and tagged , , , , , , . Bookmark the permalink. Leave a comment.

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