Indiana Jones and the Dial of Destiny (2023)

I held off watching Indiana Jones and the Dial of Destiny for almost half a year as I feared that this even longer-in-the-tooth Doctor Henry “Indy” Jones (Harrison Ford) would make me reassess the 2008 Kingdom of the Crystal Skull more favorably. Having re-watched the original trilogy, I can say that Dial of Destiny has made me reassess the much-maligned 2008 sequel. It’s still not good, and has many wide misses, but it’s also a more interesting movie to watch even in its myriad ways of disappointment. Maybe that’s the Steven Spielberg difference, a filmmaker so talented that even his rare cinematic follies have their own dynamic appeal. Dial of Destiny is a nostalgia slog, including the opening action caper with a de-aged Indy set in 1944 battling Nazis, just like we like. The action sequences lack the whimsy and satisfying scope and scale of the past, but everything here just feels on autopilot, including a gruff Ford as an Indy well past his prime in a world that has only gotten more complex. He’s given two lackluster sidekicks, neither of which are well integrated, and an old former Nazi (Mads Milkkelsen) who literally wants to find the ancient time travel device to go back to WWII and give Hitler notes. It all feels so deflated and absent the spirit and fun of the original movies, and it’s disappointing in a manner that is more bland and predictable than crazy and outlandish (nuking the fridge, killer ants, Tarzan swings, etc.). There’s an interesting kernel of a concept here, an archeologist possibly finding a skeleton in an ancient excavation that belongs to himself, and an ending that could have been ballsy and poetically fitting for the adventurer to become literally part of history. Alas, the one really exciting aspect of Dial of Destiny wimps out, settling for an ending that feels like another weak feint to the franchise’s storied past. I was so thoroughly disengaged by this movie throughout its 154 minutes. It is bereft of lasting charm and imagination and fun. At this point, with an 81-year-old Ford, I think it’s time to leave the character in a museum.

Nate’s Grade: C-

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on March 24, 2024, in 2023 Movies and tagged , , , , , , , , , , . Bookmark the permalink. Leave a comment.

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