Where Did You Go, Bernadette? (2019)
I have no idea who Where Did You Go, Bernadette? is for. It’s based upon a best-selling book, directed and adapted by Richard Linklater (Boyhood), and starring great actors, chief among them Cate Blanchett in the title role. After a half hour, I kept wondering why I wasn’t engaged with what was happening, why everything felt so directionless, and I’m still looking for answers. I felt like the movie was gaslighting me because so many characters devote so much time to preach that Bernadette is the worst. She’s no rabble-rousing outsider setting fire to the world; she’s just a quirky out-of-work architect with some undiagnosed mental illness. Yet the other people want to convince me that she’s anti-social, that she’s mean, that she’s ruinous, and I just never saw much evidence on screen. This is symptomatic of the movie’s problem of characters talking in declarative statements, telling the audience things we need to know, but rarely do we see these events. It felt like I was watching a movie where everyone else had seen some prequel and was relying on that information, leaving me out of the loop to catch up. It felt like I was being talked at. The movie feels like it’s lacking a spark and a workable tone. It feels like it’s presenting quirk but without whimsy, so things are recognized as offbeat and just left there alone. Thank God for Blanchett, who delivers a sturdy and great performance as a woman losing her sense of self and trying to follow her passions. She’s funny, defiant, vulnerable, and has the dramatic potential to be even more involving. An extended third act in Antarctica feels like the movie is just biding its time for a reunion, something that already feels low stakes given that everyone is on the same page and would eventually find one another anyway. The pacing of the movie and its slipshod structure contribute to its sluggish sense of direction and a whopping 130 minutes in length. Where Did You Go, Bernadette? wants us to believe that Bernadette is self-absorbed, or everyone else is self-absorbed, or that passions are worth chasing even to the opposite ends of the Earth. I don’t know. It’s a mildly amusing comedy with some dramatic moments but I wouldn’t be surprised if this quickly vanishes from theaters and few if any will be asking where exactly it went.
Nate’s Grade: C
Posted on August 17, 2019, in 2019 Movies and tagged billy crudup, book, cate blanchett, comedy, drama, judy greer, kristen wiig, laurence fishburne, mental illness, richard linklater. Bookmark the permalink. Leave a comment.
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