The fourth remake of The Invasion of the Body Snatchers is a more interesting behind-the-scenes story than as a film. German director Oliver Hirschbiegel (Downfall) created a movie that was described as more psychological thriller than action chase movie. The studio and producers scrapped many pieces of the film, hired the Wachowski brothers to rewrite portions of the story and cram in some action, and then James McTeigue (V for Vendetta) directed the reshoots. As a result, the movie is wildly displaced and hacked together and never feels whole. There’s a slow burn of intrigue and mob madness and paranoia that gives way to chase scenes, car wrecks, and a ridiculously contrived happy ending. I’m sorry, but when you do The Invasion of the Body Snatchers, you cannot have humanity win; that destroys the entire point of the story. It’s like having King Kong climb the Empire State Building and deciding to live there and dance for peanuts. Nicole Kidman and her lithe frame seem like an odd choice as humanity’s last hope with a gun. The Invasion flirts with some philosophical ideas about free will, assimilation, and the cost of peace, but then it speeds headfirst into an abrupt finish. This movie is unsatisfying to all parties.

Nate’s Grade: C