Wolf Man (2025)

I had high hopes for writer/director Leigh Whannell’s second take on the classic monsters after how thrilling and satisfying his take on the Invisible Man was in the early months of 2020. Werewolves have served as a fertile metaphorical ground for genre storytelling to cover such varied topics like coming of age, self-actualization, and addiction. Considering Whannell was able to use an invisible man to explore toxic masculinity and gaslighting, without losing sight of a monstrously entertaining movie, I was hoping for repeated success. Wolf Man is ostensibly about inherited curses and the relationships between fathers and children, but it’s really about dealing with flaring tempers and whether or not our shortcomings are a result of our genetic inheritance. It’s also about a family trapped in a cabin helplessly watching their father/husband transform into a dangerous beast. I suppose there’s something here about the cycles of trauma and abuse, anger as a sickness, but the problem with Whannell’s Wolf Man is that it all feels like an incomplete beginning. There are definite identifiable themes here, and a scenario that would lend to slow-building dread amid losing control over one’s sanity to become a monster against their loved ones. I just kept waiting for something more. The movie runs out of steam shockingly once it strands its family in the cabin. We’re treated to many scenes of Christopher Abbott, as the beleaguered father, blankly staring and then seeing his vision where people are highlighted with neon outlines. It’s a neat visual but what does it mean? I was waiting for more development, more character work, more culminating of themes, more… anything. It’s a lot of sitting around, like this promising genre movie had been hijacked by, like, some self-sabotaging arty Godard-obsessed filmmaker trying to Say Something with all the protracted scenes, pained silences, and repetition without revelation. It’s a surprisingly boring movie and, I repeat, it’s a werewolf movie. The makeup effects also make our titular monster look more like a shaved wolf, or a goblin rather than a lupine-centric creature of the night. I don’t even think there was a single shot of a full moon in the whole movie. Regardless, Wolf Man is a disappointing a d dull monster movie that’s too shaggy for its own good.

Nate’s Grade: C

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on April 18, 2025, in 2025 Movies and tagged , , , , , , , , . Bookmark the permalink. Leave a comment.

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