Mean Girls (2024)

Child: “I want Mean Girls [2024], mom.”

Parent: “We have Mean Girls [2004] at home.”

Consider this bouncy 2024 remake Mean Girls Plus, as the only additions from the popular high school comedy are the adaptations made to retrofit Tina Fey’s comedy for the Broadway stage. Twenty years later, the cast is more diverse, some of the jokes that have aged the worst have been removed (fewer fat jokes and no more teachers sleeping with underage Asian students), and the 97-minute original now becomes a 112-minute musical. The cast is winsome and charming but fail to disperse your memories of the original cast that featured future Oscar nominees Rachel McAdams and Amanda Seyfried or even Lindsay Lohan during the height of her career (Lohan cameos as the mathlete judge). Renee Rapp (The Sex Lives of College Girls) has got the most command as this next generation’s Regina George, a role she played during the Broadway run. Your overall impression is going to hinge entirely upon your evaluation of the pop-heavy songs, which to my ears were pleasant but unmemorable melodic pap. There is the occasional snarky line (“This is modern feminism talking/ Watch me as I run the world in shoes I cannot walk in”) but most of the lyrics and jokes are mild additions from what Fey’s movie already established. The standout musical moment might be a goofy throwaway number about all the different sexy Halloween costumes a woman should be able to dress in (“If you don’t dress slutty, that is slut shaming us”). The staging features lots of long takes and tracking shots to better appreciate the nimble dance choreography with the occasional visual addition (phone screen inserts make for modern backup singers). The memorable 2004 lines that have stuck as Millennial memes are included but treated like returning victors, but when elevated and given space for applause, it feels so strange and artificial. The 2004 movie didn’t do this. Regardless, you can do worse than a slightly updated version of Mean Girls with all-right songs, though you could also simply re-watch the original.

Nate’s Grade: B-

Unknown's avatar

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on March 1, 2024, in 2024 Movies and tagged , , , , , , , . Bookmark the permalink. Leave a comment.

Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.