Love and Monsters (2020)

Imaginative, quirky, and monstrously fun, Love and Monsters is a winning sci-fi monster movie and more evidence to the unique amusements provided in full from a Brian Duffield (Spontaneous, The Babysitter) story. In the near future, after blowing up a world-threatening asteroid, the ensuing chemical debris causes many lizards and insects to grow to world-threatening sizes, killing a majority of the population, and forcing the survivors to live underground in vaults. Our hero is Joel (Dylan O’Brien), a very Jessie Eisenberg-esque guy who isn’t so good at survival skills in this new world. His group looks at him like he’s a helpless kid who can’t defend himself. Joel discovers that his teenage crush, the girl he’s been writing letters to, is alive and he pledges to make the 80-mile trip on the surface to reunite with her. The resulting journey can be episodic but each section is impactful, each monster encounter is different and contributes to a fuller understanding to the world, and the character arc finds ways to surprise you, like when it acknowledges that Joel’s foolhardy romantic gesture is exactly that, him not fully accepting how the world has changed both he and the object of his desire. That sparkling creative voice of Duffield’s is alive and well throughout. His worlds feel well thought out, lived in, crazy but with purpose, and his characters are often teenagers with pointed attitude but they feel like characters rather than mouthpieces for overt stylized dialogue and pithy banter. O’Brien (The Maze Runner) is an interesting choice and gets to be far more neurotic and physically comedic than I’ve ever seen him. He’s an underdog that’s easy to root for. There are moments of wonder, moments of unexpected empathy, moments of suspense and terror, and plenty of moments of comic bemusement in the face of this crazy world. Joel befriends a very Woody Harreslon-esque father (Michael Rooker) with an adopted daughter in tow (the Zombieland character dynamics are pretty apparent but not a major detraction) and they form an enjoyable fractured family to help Joel become a better survivalist. I loved a small moment with a beaten down robot helper that manages to be sentimental as well as subverting sentimentality. The conclusion feels like a Walking Dead episode but it brings together many of the dangling storylines and proves satisfying for the character’s arc, a better understanding of the creatures in this world, and for Joel’s sense of self and community. The special effects are amazing for a movie that shockingly only had a tiny $28 million budget. Love and Monsters is a movie that makes the most of its time and money to tell a bigger story but one with enough wit, heart, and personality to draw you in and leave you happy for more post-apocalyptic monster adventures. All hail Duffield, king of spry and accessible quirk within the Hollywood system.

Nate’s Grade: B+

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on October 21, 2020, in 2020 Movies and tagged , , , , , , , , . Bookmark the permalink. Leave a comment.

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