Locke (2014)
Essentially a one-man show, write/director Steven Knight’s film spends every one of its minutes inside a car with its titular star played by Tom Hardy. Over the course of one real-time late-night drive to London, our driver confronts a series of moral crossroads both personal and professional. It takes a while to get going but once the main conflicts are established, it’s a pleasure watching Hardy try and orchestrate all of them into complacency in the comfort of his car. I kept imagining how someone would translate this into an intimate stage show. The tension builds nicely as Locke has to come to terms with accepting he cannot fix his mistakes. The biggest drawback is that the film abruptly ends without much in the way of a payoff. The whole time Locke is on a mission, berating his invisible absentee father he envisions in his backseat, determined not to make the same mistakes, but then the movie just limps to a finish. It could have used another 10-15 minutes of resolution to feel more complete. Hardy is strong and keeps your attention, often offering glimpses of the complex emotions he’s trying to hide. An intriguing film experiment in minimalism, there are worse ways to spend 85 minutes than inside a car with Tom Hardy. However, there are also better ways.
Nate’s Grade: B
Posted on December 22, 2014, in 2014 Movies and tagged drama, indie, steven knight, tom hardy. Bookmark the permalink. Leave a comment.




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