Daily Archives: April 13, 2012

The Adventures of Tintin (2011)

It may not be fair, but I was never expecting to like Steven Spielberg’s first foray into animation, The Adventures of TinTin. It just looked so busy and I’m still on the fence when it comes to motion-capture technology. So imagine my surprise when I found myself not just enjoying the movie but also actively loving it. This rollicking adventure practically hums with energy and imagination. It’s easy to get lost in its sweep. The action sequences, of which there are several, are terrific, breathlessly paced but showing great fair and imagination. It comes to the closest of any imposter to replicating the magic of Raiders of the Lost Ark. Give great credit to Spielberg but also his team of terrific Brit writers (Dr. Who’s Steven Moffat, Edgar Wright, and the man behind Attack the Block, Joe Cornish). The characters don’t feel like soulless androids, the adventure is lively, the immersive visuals are gorgeous to behold, and the scale of some of these action set pieces is just massive, in particular a chase through a Moroccan city that is performed in one unblinking take (although does it matter when it’s animated?). I felt transported while watching Tintin, back to a time of childhood awe and excitement. Some will find the movie wearisome and vacant, but I’m prone to shaking off my adult quibbles when a movie can make me feel like a kid again

Nate’s Grade: A-

The Raid: Redemption (2012)

If you’ve been let down by flaccid Hollywood blockbusters in the action department, then give Indonesia’s The Raid: Redemption (part one of a planned trilogy) a try. The movie is like 90 minutes of getting kicked in the face, but in the best possible way. The flimsy premise almost seems like that of a video game. An elite forces police team storms the tenement building of a crime lord. He traps them inside and alerts the unruly residents there will be a reward for whomever takes out the cops. Each floor presents a new level of danger, from machete-wielding gangs to thugs that could show Bruce Lee a thing or two when it comes to wizardly martial arts. When the action is pumping, you feel every electric second of it. Writer/director Gareth Evans uses every part of the buffalo when it comes to action cinema. He kills guys in ways you didn’t know existed. The action is brutal and often relentless, but Evans draws out scenes organically, making fine use of geography. Guys will break through walls, jump down floors, blow up gas tanks, and use everything from filing cabinets to broken doorframes to and florescent light tubes as weapons. It’s a thrill to be able to take in the beautifully balletic choreographed fight sequences; there one that goes on for seven minutes and should already be considered an all-time Top 5 contender in movie history. There’s a fairly pedestrian plot about police corruptions and some family connections, but that’s just gristle. The real meat is the action. It’s so exhilarating and gratifying that the rest is meaningless. The Raid is the best video-game-turned-movie ever, and I don’t even care that it was never a video game. Have you seen these special movies?

Nate’s Grade: B+