Blog Archives
The Tillman Story (2010)
Posted by natezoebl
Perhaps better than any movie I’ve ever seen, the searing documentary The Tillman Story explores the nature of shared grief and whether a family is even entitled to privacy when the world feels like it has a shared pain in their loss. This documentary focuses on former NFL star Pat Tillman who enlisted in the Army Rangers in 2002 and was killed in 2004 in the mountains of Afghanistan. He was hailed as a hero of battle, saving his men from enemy ambush, but the truth was really far less sensational but just as damaging. Tillman was killed by friendly fire, a fact the Army admitted only with their backs against the wall. Tillman was their most famous soldier and became a recruiting poster for the post-9/11 armed forces. The doc recounts Tillman’s family struggling to get a straight answer from Army officials and government goons who felt the truth could not compare to a good story. While recreating the events that lead to Tillman’s death in a mostly commanding manner, the doc’s real draw is exploring the idea of a family who has had their private mourning torn away, who are trotted around the nation to events memorializing their son, turning him into whatever symbol best serves personal agendas (conservative pundits are seen in stubborn disbelief when it comes to processing the news that Tillman read Noam Chomsky, thought the Iraq War was illegal, and was going to vote for John Kerry in 2004). What gets lost in all that patriotic maneuvering is a complicated man who didn’t want to become a myth.
Nate’s Grade: B
My Kid Could Paint That (2007)
Posted by natezoebl
Prodigy, fraud, normal preschooler? This incisive and captivating documentary looks at a four-year-old who has made thousands of dollars on her modern art paintings. If she is the real deal, what does that say about modern art when a child can compete with serious artists? This intensely interesting story is given as objective a viewpoint as possible even as the filmmaker is forced into his own movie when the family he’s been documenting is looking at his film as a favorable retort to a very critical 60 Minutes segment casting doubt that the paintings are genuine. The filmmaker has his own doubts and explores the nature of journalism and storytelling and objectivity and what is art, and that’s when the documentary transcends its story and becomes about much more. I have no doubt that the child is involved in painting (the question registers with how involved her failed artist father is), but the people that are buying her paintings are buying them because they are also purchasing the story. My Kid Could Paint That, as one interview subject states, is really a story about adults seeking the limelight, because otherwise it would just be a kid having fun painting in the confines of her home. Is she exploited? Is she a genuine talent in a world of paint splashes and squiggly lines? Will she ever just be allowed to be a kid? These are just a few of the tantalizing questions this mature and insightful movie raises.
Nate’s Grade: B+




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