Trap (2024)

At this point, there is a certain expectation with any M. Night Shyamalan movie that reality will be heightened, that people will never talk like actual human beings, and that his brand of unreality can become part of the unique selling point, nestling into a campy charm when it all coalesces. Such is the case with Trap, the ludicrous thriller that plays much more pleasingly as a wacky comedy of errors and incompetence as an entire city’s police force is looking for a notorious serial killer, The Butcher a.k.a. Cooper (Josh Hartnett), at a concert for a pop star (Syamalan’s own daughter, Saleka). It’s a silly premise that essentially endangers thousands of innocent concert-goers where the plan is to, I guess, grab any middle-aged white guy in attendance and question them? It’s absurd, but it becomes a fun game of watching our trapped killer try and work out different escape options and adapt on the fly, while also being that supportive girl dad for his starstruck little tween. There’s an appealing “how is he gonna get outta this jam?” conflict resolution, though our deadly dad also acts so supremely weird, from buddying up with the merch guy, pushing ladies down stairs completely unbeknownst to observers, and trying to convince his daughter they should ditch this fancy concert to go explore what’s beneath a trap door. The hilarity is that Cooper is not really good at hiding his tracks, or his peculiarities, but everyone else in this universe is just that dim. It’s grand entertainment but definitely loses something once it leaves the central location for its final act, shifting the protagonist onto a new face that can’t quite carry the movie(reminded me of 2013’s The Call once it abandoned its premise for the final act). Given the heightened atmosphere, this is also the kind of movie that would have benefited from another twist or two, perhaps with Cooper’s family. Hartnett is playing a very specific tone and manages to make his character creepy, daffy, intense, and thoroughly watchable. If you’re in doubt what Shyamalan was going for, look no further than casting Parent Trap(!)-actress Hayley Mills as the older criminal psychologist trying to ensnare our killer with this outlandish ruse. Imagine Hitchcock by way of Peter Sellers, and you have Trap.

Nate’s Grade: B-

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on October 25, 2024, in 2024 Movies and tagged , , , , . Bookmark the permalink. Leave a comment.

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