It Ends With Us (2024)

If you’re expecting a charming romantic drama about a young woman moving back home and finding new love and rekindling romance with a past love, then you might be better off scanning the Hallmark Channel. For those blissfully unfamiliar with author Colleen Hoover, It Ends With Us is her best-seller about domestic abuse. The Dickensian-named Lily Bloom (Blake Lively), who wants to open a flower store, comes back home after her abusive father passes, and she reconnects with Atlas Corrigan (Brandon Sklenar), her childhood love who her father chased away. She also falls for child neurosurgeon Ryle Kincaid (director Justin Baldoni) who happens to be an abuser. It takes an hour into the movie before Ryle physically harms Lily, which means the movie up until that point is paced and structured like a typical romantic drama and we’re meant to find him smooth and desirable. Perhaps Hoover and the filmmakers are trying to better place us in the position of the abused spouse, providing context that some might use to excuse toxic behavior and red flags, but if they wanted to set up more of a love triangle, they’ve done a poor job. Atlas mostly appears in flashbacks as the idealistic, impoverished boyfriend she kind of takes in. He then re-establishes himself in the present with a successful fancy restaurant, and the movie more or less just puts him on a shelf and says, “When she’s ready to have someone nice, she’ll settle back with that bland guy from her past.” Feels like we’re spending too much time on stories that we shouldn’t, and less time on ones we should. It’s grandiose soap opera plotting for serious subject matter. Credit director/co-star Baldoni for not soft-pedaling the treacherous nature of his character’s control and insecurity. There’s a great deal of very uncomfortable and disturbing abuse sequences, including a rape, for a PG-13 movie. Domestic abuse, and growing up in the shadow of domestic abuse, makes for some very challenging viewing. If the movie was more insightful, or honest, or even nuanced, it might be worth enduring the discomfort of its two hours. It’s not. It’s just punishing.

Nate’s Grade: D

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on September 21, 2024, in 2024 Movies and tagged , , , , . Bookmark the permalink. Leave a comment.

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