Daily Archives: December 31, 2023

Spencer + Penny, Forever (2023)

In the best way, Spencer + Penny feels like a Pixar short, something sweet and subtly profound that then suckerpunches you into a mess of feelings that you didn’t think were possible given the abbreviated length as well as the subject matter. You may ask yourself, “Am I really about to cry over some pencils?” and I’m here to tell you yes, and it’s okay to cry. In just a matter of seconds, this Ohio-made short film gets you to think from a different perspective, that of a mechanical pencil named Spencer (voiced by writer/director Eric Boso), and through that object we will feel all-too familiar human traits. There’s elation at aligning with one’s purpose, but also a melancholy that comes when we feel spent, empty, and rundown, needing to be replenished. Because of Spencer’s unique identity, his lead can be replaced, though this also causes him to feel hollow at times. Then one day he meets a friend, a traditional wooden pencil named Penny (voiced by Samantha Martin). She’s chipper and unflappable in her enthusiasm and optimism, lifting Spencer’s spirits. And then this relationship rapidly changes through a simple and elegant visual means of montage, and all at once this cute film about two pencils, and thematically about mental health, has transformed into one about mortality and legacy. It works so well that I was shocked to be feeling urgent emotions, begging a muted pencil to speak back. That’s quite a creative coup for Boso (Bong of the Living Dead). The short itself is visually lean and clean, given to presenting the story like it was a writing utensil catalog. The sparse visual arrangements further made Spencer + Penny, Forever feel like a children’s storybook come to whimsical life. I enjoyed the emphasis given to erasers and the disappointment we feel at making mistakes but the acknowledgement that mistakes are also a part of life, a big idea but made easily digestible for all ages through the carefully crafted writing style of a bittersweet child’s storybook.

I won’t delve into detailed spoilers but I think the ending concept is fitting but we needed a different path to finally wind up there. It’s sweet but feels like a different story starting, which may well be the point. I also think the metaphysical and eschatological implications are rather large to try and make this work, so I think something more practical with the in-universe setting and a direct connection would have felt like a more appropriate thematic conclusion. Still, it works, I just quibble with the means we reached this ending.

Spencer + Penny, Forever was produced for the 2023 Winterfilm Festival in Ohio and won several awards, including Best Writing, Audience Award, Best Music (the music does have a definite Jon Brion-esque quality of deceptive whimsy that blends into heartache), and Best Film. It’s easy to see the movie as a crowd-pleaser and an unassuming charmer, able to delicately hit weightier themes with cute observational quirk (a.k.a. The Hidden Life of Writing Utensils). It will be entering the festival circuit shortly and I’m sure I won’t be the last person walking away from Spencer and Penny and shaking my head and smiling that an eight-minute short made me think differently about my pen.

Nate’s Grade: B+

Taylor Swift: The Eras Tour (2023)

Over the past year, my Swiftie fandom has grown as a side effect of my wife dramatically listening to the re-recorded Taylor Swift back catalog of her smash albums, and as such the prospect of attending her billion-dollar-grossing Eras Tour was a desire out of of reach from our bank account, a dilemma that many probably also faced. Thanks to the tour documentary, now everyone can get the best seat in the house for Swift’s explosive concert. If you’re already a Swift fan then this will be catnip for you, but I think it could also convert new fans as well into recognizing the innate ear-worm quality of many of her biggest bops over almost two decades in the recording industry (she’s been a superstar since the age of 16), and she’s also one hell of a performer. The three plus hours she puts on are an extensive and lively trip down memory lane, complete with elaborate costume changes, creative choreography, and massive ever-changing sets. During the Reputation Era, my favorite stretch of the show, Swift aggressively struts atop a shifting elevated stage that changes geometric design like old 80s video game levels. There are small moments where she takes a breath and relates the stories behind some of her more personal and intimate songs, or how appreciative she is to her legions of fans willing to shell out their life savings on tickets, but the big draw is obviously the sheer overwhelming showmanship of its star. This woman knows how to put on a good show and puts out all the stops over three swift hours. Everyone will have their own favorites but chances are if you do have a favorite Swift song, it will be included by the end of the movie. Her more recent albums like Folklore and Evermore aren’t my favorites, and given too much airtime, but that’s what happens when they’re the newer albums and material. The Eras Tour is further evidence that Ms. Swift really does own the world, and you might as well get used to it and just enjoy the view.

Nate’s Grade: B