Brahms: The Boy II (2020)

I mostly enjoyed the creepy thrills of 2016’s The Boy, where a young woman is hired by a wealthy old couple to watch their son who just happens to be a doll named Brahms who may or may not be alive. It built an atmosphere with patience until the very end where it definitively revealed the doll was not alive at all. Zoom ahead several years and now we have the awkwardly titled Brahms: The Boy II (why? why is the sequel status slated for the subtitle?) and it completely negates the previous movie. Surprise, that doll that was only a doll in the first movie is now a real supernatural presence who infects others and can move on its own. I don’t consider this a significant spoiler merely because returning director William Brent Bell (The Devil Inside) tips his hand so early into the movie’s 86 minutes. Because you know the doll is definitely alive now the rest of the movie becomes a tedious game of waiting for the adults to finally catch on, which makes the viewer impatient and also saps the dread out of scenes. This is the first movie I can recall where a person screams in front of a stationary doll and it’s treated like a jump scare. Katie Holmes (Logan Lucky) does her best as the matriarch of a family suffering some serious psychological trauma after being the victims of a home invasion. She and her husband see the Brahms doll as a working conduit for their son to better process his trauma. He’s even begun talking again, and also supposedly drawing very murderous pictures and saying how Brahms is angry. There’s an interesting story somewhere in here about a family using a creepy doll as an unorthodox means of PTSD therapy, but The Boy II is just such a lackluster horror movie. We know the doll is alive yet all the things we’re supposed to worry about are absent the doll’s immediate vicinity. Even as it gets more and more blatant, including a finale that reveals what Brahms looks like behind his mask (did you even think there was a “behind”?), the movie fails to make you care about anything that’s happening. It’s sluggish, silly, and stale. Even if you were a marginal fan of the first one, I would advise skipping Brahms. I wonder if there will be a The Boy III that completely undoes the sequel, the Rise of Skywalker to The Boy II‘s Last Jedi. Never thought I’d write that sentence.

Nate’s Grade: C-

About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on March 21, 2020, in 2020 Movies and tagged , , , , , . Bookmark the permalink. Leave a comment.

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