The Boy (2016)

286527-1The scariest thing about The Boy is how much potential it wastes, foolishly abandoning a horror direction that was eerie, supernatural, and with one leg rooted in a psychological breakdown, and instead cheerfully dives headfirst into an unwanted new direction of cheap campy thrills. I haven’t seen a decent movie unravel with this high-speed velocity and tone-shift since Danny Boyle’s Sunshine, an intelligent sci-fi vision that decided, hey, let’s just make the entire final act a slasher movie in space. The Boy is about an American nanny who travels abroad to care for an elderly couple’s young son Brahms, a son who happens to be a porcelain doll. There are rules to be followed and consequences if they are disobeyed. I liked that our heroine (Lauren Cohan, The Walking Dead) doesn’t try and ignore what she’s seeing for a majority of the movie and instead embraces the unusual circumstances, testing Brahms and discovering more. It kept the film moving in more engaging directions rather than denying the obvious and padding out its run time. I wish that the script opened up more about the domestic violence that haunts our heroine, literally and figuratively, but for a solid hour I was fairly entertained by the supernatural parlor games and lead performance by Cohan. Then the last act occurred, which just swiped away all the good will. I groaned aloud when the shift happened. I won’t go into detail but suffice to say it feels distinctly like two different movies clumsily grafted onto one another at the behest of exec. What once could be excused or forgiven in a supernatural realm cannot when trying to ground the story in reality, and it only unleashes a horde of nagging questions that don’t add up, especially concerning Brahm’s parents and the implications of its ending. The Boy is a cautionary tale about leaving well enough alone, understanding the strengths of your spooky story and tone, and committing to the best idea rather than one that “surprises” while laying waste to your larger story.

Nate’s Grade: C

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About natezoebl

One man. Many movies. I am a cinephile (which spell-check suggests should really be "epinephine"). I was told that a passion for movies was in his blood since I was conceived at a movie convention. While scientifically questionable, I do remember a childhood where I would wake up Saturday mornings, bounce on my parents' bed, and watch Siskel and Ebert's syndicated TV show. That doesn't seem normal. At age 17, I began writing movie reviews and have been unable to stop ever since. I was the co-founder and chief editor at PictureShowPundits.com (2007-2014) and now write freelance. I have over 1400 written film reviews to my name and counting. I am also a proud member of the Central Ohio Film Critics Association (COFCA) since 2012. In my (dwindling) free time, I like to write uncontrollably. I wrote a theatrical genre mash-up adaptation titled "Our Town... Attacked by Zombies" that was staged at my alma mater, Capital University in the fall of 2010 with minimal causalities and zero lawsuits. I have also written or co-written sixteen screenplays and pilots, with one of those scripts reviewed on industry blog Script Shadow. Thanks to the positive exposure, I am now also dipping my toes into the very industry I've been obsessed over since I was yea-high to whatever people are yea-high to in comparisons.

Posted on January 29, 2016, in 2016 Movies and tagged , , , . Bookmark the permalink. Leave a comment.

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