Daily Archives: January 22, 2011
Devil (2010)
2010 has been a banner year for Trapped to Stuff Cinema. People have been trapped on a ski lift (Frozen), under a rock (127 Hours), in a coffin (Buried), and now with Devil… an elevator. The story comes from “the mind of M. Night Shyamalan,” not exactly a selling point at this juncture in time: five strangers are trapped in an elevator and one of them happens to be the titular devil. Now, that may sound like a waste of the Devil’s abilities; surely the Lord of Evil has better things to do than mess around with people in an elevator. Regardless, this low-rent thriller nearly overdoses on terrifically noisy jump scares as its primary source of spooks. As the candidates get picked off one by one when the lights go down, the guessing game becomes more tiresome. Even at a sparse 75 minutes the entire film feels exhausted. The characters are dumb. The Hispanic security guard tries to convince others that the devil’s responsible for the shenanigans. His method of argument: tossing a piece of toast in the air and saying because it landed jelly-side down, the devil is in play. Because when Old Scratch’s around, only bad things happen (protect your toast). The ending feels both contrived and tonally inappropriate, like putting a smiley face sticker on a school report on Ted Bundy. This is an entire movie that lands jelly-side down.
Nate’s Grade: C-
Grown Ups (2010)
Adam Sandler keeps his friends from the unemployment line with this lowbrow, middle-aged themed, yet still entirely juvenile, comedy, Grown Ups. The movie is really a giant fetid waste of potential. It’s Sandler and his old Saturday Night Live buddies (David Spade, Rob Schneider, Chris Rock, and Kevin James obviously filling the Chris Farley spot) chumming it up and decrying the foibles of being 40. They don’t get the kids today, nostalgically reflect on their summer camp days, and try to recreate some of that old magic with a combined family get-together. Each man falls into a rigid type and will learn some half-hearted, disingenuous form of a life lesson by film’s end. The entire dimwitted plot is as stunted as the male characters. These guys just pal around and it’s termed a movie. The female characters are all one-note: figures of lust, saintly significant others who never get to be in on the joke, shrews, or Schneider’s older wife who is a constant butt of some mean-spirited jokes. The actors do have an amiable chemistry that allows the film to coast for some time before the whole affair just becomes wearisome. These guys have played these types for many many movies, and so everyone just operates on autopilot. The heavy slapstick momentarily distracts from the truth that Grown Ups is an unfunny, crass attempt by Sandler to get audiences to pay for his class reunion. The fact that this junk won the Best Comedy Award from the People’s Choice Awards illustrates the limitations of democracy.
Nate’s Grade: D+




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