Daily Archives: September 17, 2009

The Unborn (2009)

Writer/director David S. Goyer’s horror movie wants to be all things to all people and thus comes across as both conventional and sloppy. The story is about some evil presence that predates religion (all religion?), but somehow this is tied together with Nazi experiments on twins and a spooky kid that pops out. Most of the scares are cheap and silly, often giving way to vivid hallucinations that break when another character enters the room. Really, what is Holocaust material doing in such a by-the-book spook flick? It’s like a Jewish version of The Omen. The story manages to be hokey and too convoluted at the same time. Gee, for a movie that has the word “born” in the title and features a character getting sick weeks after sex, I wonder what the awesome twist ending will be? The movie is tedious from start to finish, though technically competent aside from the acting. It is unfathomable to me that Gary Oldman is a supporting actor in this tripe. It seems like the real purpose of this movie was to engineer gratuitous shots of Odette Yustman (Cloverfield) in her teeny, tiny cotton panties. In fact, I think there’s one review that only talks about her rear and its appeal, which is naturally why it is prominently displayed in the movie poster. When the malevolent spirit is going by its in-utero nickname, “Jumby,” it loses some serious scare factor. See this as a companion piece to the Oscar-winning drama, The Reader. Then tell me which has the stranger message.

Nate’s Grade: C-

Sunshine Cleaning (2009)

This mordant family drama has an intriguing premise, sisters who start a business cleaning up after messy crime scenes, but the film suffers from a crippling passivity. It’s nicely acted all around, especially Emily Blunt as the more troubled, wild child sister. The dysfunctional characters are established with momentary glimpses to back-stories, mostly tragic, but the narrative just sort of nudges them along. Sunshine Cleaning is a little too removed and clinical for its own good. The working-class characters are rundown but that doesn’t mean the movie has to feel the same way. Subplots and characters will be abandoned or left with no resolution. Alan Arkin’s scheming grandfather character never seems related to the plot, and he feels like he was lifted from another movie with a wackier veneer. It also makes time for cute sentimental elements that don’t jibe with the film’s tone, like using a CB radio to talk to loved ones in heaven. Sunshine Cleaning is sweet and sincere drama with some dark humor mixed in and it comes across as affable entertainment. Still, this movie had much more promise, if only it was less reserved and afraid to get its hands dirty.

Nate’s Grade: B-

Observe & Report (2009)

During the middle of a mean prank, a police officer walks out of hiding and says, “I thought this would be funny but it?s really just sad.” That’s my feelings with Observe and Report, the second mall cop comedy of 2009. Writer/director Jody Hill specializes in pained, awkward, tasteless humor, but with this it’s like he made a comedy and forgot to put jokes in it. The ongoing joke is how crazy a bipolar mall security guard named Ronnie (Seth Rogen) is, but it’s hard to laugh when he just keeps coming across as scary. Hill’s movie has more in common with Taxi Driver than other comedies. We follow one dangerous man with delusions of grandeur who has violent tendencies. The humor can be daring, off-putting, and extremely risqué, like a date rape joke where Anna Farris wakes up in the middle of the act and encourages Ronnie to continue. What is the point of all the provocative envelope pushing, in the end? Is Hill trying to lock his movie into a ready-made cult status? I enjoyed Hill’s TV show Eastbound & Down starring Danny McBride (who makes a cameo here as a crack dealer). That show succeeds with a blustery, unhinged, delusional lead character because we know the character is a vulnerable loser lashing out because he realizes he is a loser, we can empathize and eventually root for the brute. Rogen, often a chubby teddy bear in comedies like Knocked Up and Zack and Miri Make a Porno, is lashing out because he won’t stay on his meds. He’s too dim to even realize his lowly place in the universe, so his bluster and rude behavior is ultimately just repellent because it provides no insight to his character. And yet, after having said all that, the movie is consistently interesting, if you want to call it that, and goes in unforeseen directions. This is a challenging movie and the biggest challenge is to try liking it. Good luck.

Nate’s Grade: C