Daily Archives: August 7, 2009

He’s Just Not That Into You (2009)

Based upon the best-selling nonfiction book, the movie follows the interconnected lives of a cadre of characters trying to get lucky in love. As with any ensemble piece, some storylines are better than others, notably Ginnifer Goodwin (HBO’s Big Love) as a naïve and hapless gal confused by the ever-changing rules and rituals of contemporary courtship. Her scenes with Justin Long, as her dating coach, are the movie’s high-point. The two actors have a light, charming chemistry and their scenes get at the heart of the male/female dating dysfunctionality without feeling trite. But in between, you get a lot of hackneyed yakking about the stereotypical differences between men and women, how dumb men are, how crazy women can be, etc. It’s all been covered to death by other romantic comedies to the point that it feels like common knowledge, which makes it tiring to sit through. Some of the drama feels overly manufactured, like Jennifer Aniston pushing to get married because she her little sister got engaged, there are characters that are just annoying people, like Kevin Connolly continuing to nip at the heels of Scarlett Johansson for some scraps, and Some of the material is weirdly dated, like Drew Barrymore talking about being “Myspace-ed” by a prospective date (Hello, it’s all Facebook all the time now). Naturally, it’s all rather predictable as well, however, this is not the fun date movie it may seem. It hits some rough dramatic patches, like the pains of infidelity, losing trust in a spouse, manipulating people, and occasionally there will be a moment that comes across as genuine and heartfelt, like when Ben Affleck wins over Aniston simply by being thoughtful and doing the dishes. It’s in these sporadic moments that He’s Just Not That Into You feels like it’s tapped something a little deeper and more meaningful than scraping the barrel of romantic comedy clichés.

Nate?s Grade: C+

Waltz with Bashir (2008)

A mix between animation, documentary, and war drama, this Israeli film is something uniquely different and remarkable. Filmmaker Ari Folman interviews fellow veteran servicemen from Israel’s 1982 invasion of Lebanon in hopes of jogging his memory. He has blocked out the painful memories of war but his mind is reawakened as he reexamines the truth about the conflict and eventual massacre of Lebanese Arabs. Folman utilizes a rotoscope style of animation, which gives it a heightened reality and an intoxicating painterly beauty. He also takes advantage of the fact that atrocities can be easier to stomach when presented through the barrier of tasteful animation. However, it will be hard to keep from being affected (a scene of dying horses got to me bad). The realms of reality, fantasy, nightmare, and memory can crash together in fascinating ways, and eventually the movie transforms outright into a full-fledged documentary that melts away any last obstacle of empathy, ending with real disturbing footage of the massacre’s aftermath. Waltz with Bashir does not come with an agenda in tow, which allows the movie to explore the ambiguities of being young, nationalistic, confused, and armed in a hostile land. Folman is trying to peel away at the unbiased truth of the matter and cleanse his curiosity and, perhaps, his conscience. His filmic journey to that elusive and painful truth is a movie that crosses cultures and redefines what a documentary can be.

Nate’s Grade: A