Daily Archives: November 29, 2007

Fantastic Four: Rise of the Silver Surfer (2007)

No better or no worse than the original, this less than fantastic follow-up to the cruddy 2005 superhero dysfunctional family melodrama ups the apocalyptic ante with the emergence of the powerful Silver Surfer, the herald for a cosmic cloud, yes cloud, that consumes the life forms of planets. The special effects run the gamut from fake and awful to passable, but what ultimately kills this movie is how little substance there is. It’s lightweight, shallow, and more interested in making the kids giggle. Example: The Human Torch, after touching the Surfer, can now switch powers with any of the members after they touch him. The Thing, covered in spongy orange rock, is lamenting his state but finds solace in his relationship with a blind woman. The Human Torch asks what Mr. Rock Dude what would do if he had but a few moments left in this world. Now, I’m thinking that the Human Torch is going to swap places with his buddy so that The Thing can enjoy even one night as a regular flesh-and-blood human being with his sweetheart. Maybe they could even knock boots without her getting serious rug burn. But no, the movie does nothing and just moves along because it doesn’t have the scope, the interest, or even the time to flirt with anything outside its limited plot. The storyline, what little there is, is predictable from beginning to end and the action sequences, while expanded from the first film, still fall far short of eliciting tension or tickling the imagination. I swear the only reason the flying jet thing is introduced was to sell toys. You have a bunch of people with unique super powers; the least the script could do is think of exciting things to do.

Nate’s Grade: C

Waitress (2007)

Kerri Russell is irresistibly charming in this winning romantic comedy from the late write/director Adrienne Shelly. I fell totally in love, head over heels, with Waitress and I’m not ashamed to say it. In a perfect world, Russell would earn an Oscar-nomination for her sure-handed, witty, and incandescent performance as a pregnant woman who has an affair with her new gyno doc (Serenity‘s Nathan Fillion). This is a star-making performance and it is sealed when the movie relies solely on her emerging smile for an entire minute to communicate a blossoming figure. The supporting cast is great in their eccentric roles well and the movie concludes in a happy if unconventional manner. Waitress is the kind of movie that makes you feel great. The sheer exuberance on display is infectious and it makes it an even bigger tragedy that Shelly will never grant the world another wonderful slice of entertainment.

Nate’s Grade: A